To his dog, every man is Napoleon; hence the constant popularity of dogs.
Aldous HuxleyRead
β"But that's the price we have to pay for stability. You've got to choose between happiness and what people used to call high art. We've sacrificed the high art.
Interpretation
This quote suggests that the pursuit of stability often comes at the cost of genuine happiness and artistic expression.
Aldous Huxley reflects on the trade-offs society makes in the name of stability, indicating that personal happiness may be sacrificed for the sake of adhering to high art standards, which can feel unattainable or irrelevant in pursuit of a stable life. This prompts a critical examination of what we value moreβour emotional well-being or the complexities and challenges of artistic achievement.
In practice
In a discussion about the sacrifices artists make, this quote illuminates the balance between stability and creative expression.
To his dog, every man is Napoleon; hence the constant popularity of dogs.
Facts do not cease to exist because they are ignored.
In the course of history many more people have died for their drink and their dope than have died for their religion or their country.
On no account brood over your wrongdoing. Rolling in the muck is not the best way of getting clean.
No man ever dared to manifest his boredom so insolently as does a Siamese tomcat when he yawns in the face of his amorously importunate wife.
The leech's kiss, the squid's embrace, The prurient ape's defiling touch: And do you like the human race? No, not much.
To put down an ideogram of a table so that people will recognize it as a table is not the work of a painter, but to sense it for a moment as a magic carpet with a leg hanging down at each corner is the beginning of a painter's imagination.
I feel as though I've gotten to a point where I don't really want to set a book in any real place ever again.
The provincial intellectual is doomed to arguing at low level... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy.
Photography is a brief complicity between foresight and luck.
To win applause one must write stuff so simple that a coachman might sing it.
I write a song because I want to. I think the moment you start writing it to make money, you're starting to kill yourself artistically.
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