One of the great things about books is you can afford to do anything.
George R. R. MartinRead
Prince Rhaegar loved his Lady Lyanna, and thousands died for it.
Interpretation
The quote highlights the profound impact of love, suggesting that it can lead to significant sacrifice and turmoil.
In this quote, George R. R. Martin illustrates the theme of love's power and its potential to drive individuals to extreme actions. The mention of Rhaegar's love for Lyanna, which results in the death of thousands, emphasizes that love can be both beautiful and destructive, capable of influencing the course of events in profound and tragic ways.
In practice
In a discussion about the sacrifices people make for love when addressing a group about relationships.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: βNot today.
I did not do it. Yet now I wish I had.β He turned to face the hall, that sea of pale faces. βI wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Feelings dwell in man; but man dwells in his love. That is no metaphor, but the actual truth. Love does not cling to the I in such a way as to have the Thou only for its " content," its object; but love is between I and Thou. The man who does not know this, with his very being know this, does not know love; even though he ascribes to it the feelings he lives through, experiences, enjoys, and expresses.
The most powerful love songs always turn on the discrepancy between the act of declaring love and the knowledge that the ostensible addressee is no longer there, was never there, and could never be there.
There's a blush for won't, and a blush for shan't, and a blush for having done it: There's a blush for thought and a blush for naught, and a blush for just begun it.
Love was the key to understanding all of the mysteries.
Can't go on singing the same theme, 'cause baby, can't you see, we've got everything going on? Every time you go away, you take a piece of me with you.
I will not play tug o' war. I'd rather play hug o' war. Where everyone hugs instead of tugs, Where everyone giggles and rolls on the rug, Where everyone kisses, and everyone grins, and everyone cuddles, and everyone wins.
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