An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
I really had no program or any established plan. I didn't even ask myself if I should sell my paintings or not.
Interpretation
This quote reflects the spontaneity and lack of strict planning in the creative process.
Marcel Duchamp emphasizes the idea that creativity often flourishes without rigid structure or predefined intentions. By expressing his lack of a program or established plan, he suggests that art can thrive in an environment where freedom and instinct guide the artist, rather than commercial considerations or societal expectations dictating the outcome.
In practice
In a speech about artistic freedom, one might say, 'As Marcel Duchamp noted, I really had no program or any established plan.'
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
If you can't create physical life, you find a life force. If that's in music, that's in music. I started to find this deep, primitive rhythm, and I started to move to it. And I held hands with sorrow, and I danced with her, and we giggled a bit.
Cartooning is about deconstruction: you gotta tear something down to make a joke.
One has to guard against a formula that is good for everything, that can interpret reality in addition to the other arts, and that rather than creating can only result in a style, or a stylization.
I believe in the power of poetry, which gives me reasons to look ahead and identify a glint of light.
The stage is not merely the meeting place of all the arts, but is also the return of art to life.
Writing is sacred, other activities are profane, and I don't want them to corrupt my writing.
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