An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
I really had no program or any established plan. I didn't even ask myself if I should sell my paintings or not.
Interpretation
This quote reflects the spontaneity and lack of strict planning in the creative process.
Marcel Duchamp emphasizes the idea that creativity often flourishes without rigid structure or predefined intentions. By expressing his lack of a program or established plan, he suggests that art can thrive in an environment where freedom and instinct guide the artist, rather than commercial considerations or societal expectations dictating the outcome.
In practice
In a speech about artistic freedom, one might say, 'As Marcel Duchamp noted, I really had no program or any established plan.'
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
The actual world, not some fantastic structure that has nothing to do with reality, must provide the material for modern poetry.
Cinema, radio, television, magazines are a school of inattention: people look without seeing, listen in without hearing.
I don't photograph life as it is, but life as I would like it to be.
What comes first? The melody, always. It's all about singing the melodies live in my head. They go in circles. I guess I'm quite conservative and romantic about the power of melodies. I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it's good enough. I let my subconscious do the editing for me.
Poetry seems to be the only weapon able to beat language, using language's own means.
Having been an actor and a writer for so long - 20 years or so - I felt that it would be daft to go to one's grave without having directed. It's a natural extension of writing and acting, and so I knew it would happen one day.
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