When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.
Taiye SelasiRead
I read recently that the problem with stereotypes isn't that they are inaccurate, but that they're incomplete. And this captures perfectly what I think about contemporary African literature. The problem isn't that it's inaccurate, it's that it's incomplete.
Interpretation
Stereotypes are often based on incomplete information rather than outright inaccuracies.
This quote by Taiye Selasi highlights the issue with stereotypes, particularly in the context of contemporary African literature. Rather than dismissing these stereotypes as false, Selasi suggests that the problem lies in their incompleteness, implying that the richness and diversity of African experiences are often overlooked, leading to a limited understanding of the culture and its literature.
In practice
During a discussion on diversity in literature, you can quote Selasi to emphasize the importance of comprehensive representations.
When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.
I write essays to clear my mind. I write fiction to open my heart.
The secret of freedom lies in educating people, whereas the secret of tyranny is in keeping them ignorant.
We now accept the fact that learning is a lifelong process of keeping abreast of change. And the most pressing task is to teach people how to learn.
Upon the education of the people of this country the fate of this country depends.
We need to tell kids flat out: reading is not optional.
Teachers are the one and only people who save nations.
People from my sort of background needed Grammar schools to compete with children from privileged homes like Shirley Williams and Anthony Wedgwood Benn.
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