If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
Do I love the road? Honestly? No - but it's how I earn my living. I also don't have the blues, like it's some kind of fever. The blues is my job. It's what I do.
Interpretation
What this quote means
The speaker expresses a complicated relationship with their profession, acknowledging that while they don't love it, it is essential for their livelihood.
In this quote, B. B. King articulates a nuanced perspective on his career as a musician. He admits that he doesn't have a deep emotional attachment to the road, which signifies the harsh realities of constant touring; however, he accepts it as part of his job. Furthermore, he redefines the notion of 'the blues' as not merely an emotional state but as a profession, emphasizing that his music and experiences are integral to who he is and how he earns a living.
Themes
In practice
Example use cases
This quote could be shared during a panel discussion about the struggles of touring artists.
More from B. B. King
All quotes →The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
A guitar is like an old friend that is there with me.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
People all over the world have problems. And as long as people have problems, the blues can never die.
Similar quotes
I may be helping to bring harmony between people through my music.
When you're at a concert and you hear someone improvise well, that's special; it puts you in the moment and takes you someplace. To pull that off, a musician must be able to play his or her instrument really well, but more importantly must also be able to express something and take the listeners beyond themselves.
When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.
Load up our guns Bring your friends It's fun to lose and to pretend
It (jazz) isn't like it used to be. The guys aren't together. They're all separated. Individuals now. Bird was a symbol. It was a clique, a clique of people. Who all believed in one thing: gettin' high. And playin'.
To jazz, or not to jazz, there is no question!