In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.
Interpretation
Fellini expresses the timeless connection between modern Rome and its ancient history, highlighting the city's cinematic allure.
In this quote, Federico Fellini reflects on the profound connection he feels between contemporary Rome and its ancient past. He emphasizes how the city's rich history is always present, even in mundane moments like being stuck in traffic. This idea of a living history inspires him and serves as a backdrop for his creativity, suggesting that every location is steeped in stories that can be captured through the art of film.
In practice
This quote could be used in a film-making seminar to discuss the inspiration behind location choices.
I’m just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.
Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream.
No critic writing about a film could say more than the film itself, although they do their best to make us think the oppposite.
A created thing is never invented and it is never true: it is always and ever itself.
What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.
We can all pretend to be cynical and scheming, but when we’re faced with purity and innocence, the cynical mask drops off.
Writers collect stories of rituals: John Cheever putting on a jacket and tie to go down to the basement, where he kept a desk near the boiler room. Keats buttoning up his clean white shirt to write in, after work.
When the writer (or the artist in general) says he has worked without giving any thought to the rules of the process, he simply means he was working without realizing he knew the rules.
I'm a brown girl from a Punjabi pind raised in Toronto. I don't expect literary critics and purists to understand the nuances of my experiences, and the experiences of the people around me... And my tradition holds that there is a magic in the written word. So how I write, what I write of, and why I write all comes naturally.
I'm not a politician. I don't know how to solve the problems of the world. But as an artist, I have one duty: to ask questions.
The film drama is the opium of the people…down with bourgeois fairy-tale scenarios…long live life as it is!
From things that have happened and from things as they exist and from all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive, and you make it alive, and if you make it well enough, you give it immortality.
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