Endurance is nobler than strength, and patience than beauty.
Science studies the relations of things to each other: but art studies only their relations to man.
Interpretation
What this quote means
Science examines the connections between objects, while art focuses on how these objects relate to human experience.
In this quote, John Ruskin distinguishes between the disciplines of science and art, highlighting that science is concerned with understanding the relationships between different entities in the natural world. In contrast, art is portrayed as a deeply human endeavor that seeks to interpret and express the meanings of those relationships as they pertain to human emotions, experiences, and perspectives. This suggests that while science may provide us with knowledge and understanding, art offers us interpretation and emotional resonance.
Themes
In practice
Example use cases
In a lecture about the importance of creativity, one might cite this quote to illustrate the value of artistic interpretation versus scientific analysis.
More from John Ruskin
All quotes βIn health of mind and body, men should see with their own eyes, hear and speak without trumpets, walk on their feet, not on wheels, and work and war with their arms, not with engine-beams, nor rifles warranted to kill twenty men at a shot before you can see them.
You talk of the scythe of Time, and the tooth of Time: I tell you, Time is scytheless and toothless; it is we who gnaw like the worm - we who smite like the scythe. It is ourselves who abolish - ourselves who consume: we are the mildew, and the flame.
To be able to ask a question clearly is two-thirds of the way to getting it answered.
See that your children be taught, not only the labors of the earth, but the loveliness of it.
A little thought and a little kindness are often worth more than a great deal of money.
Similar quotes
When I go to Comic-Cons and people line up for autographs, so many people have a story about how they are moved, how they get tearful about what 'Back To The Future' meant to them.
Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.
Her other mother smiled brightly and the hair on her head drifted like plants under the sea.
The country that I was coming from, the island I was in, hadn't been written about, really. So I thought that I virtually had it all to myself, including the language that was spoken there, which was a French Creole, and a landscape that is not recorded, really, and the people.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Many really good films allow us to empathize with other lives.