We knew - but didn't want to know - what was going to happen, the sky descending upon our heads like the shadow of a falling piano in a cartoon.
Aleksandar HemonRead
I do have a sense of displacement as constant instability β the uninterrupted existence of everything that I love and care about is not guaranteed at all. I wait for catastrophes.
Interpretation
The quote reflects a profound awareness of life's unpredictability and the constant presence of potential loss.
In this quote, Aleksandar Hemon expresses a deep feeling of displacement due to the inherent instability of life. He acknowledges that the things he cherishes are not assured, leading to a sense of waiting for disasters. This perspective highlights the fragility of existence and the emotional turmoil that comes with the awareness of inevitable change and the unpredictability of lifeβs circumstances.
In practice
This quote could be used in a reflective speech about the unpredictability of life during a graduation ceremony.
We knew - but didn't want to know - what was going to happen, the sky descending upon our heads like the shadow of a falling piano in a cartoon.
I have two homes, like someone who leaves their hometown and/or parents and then establishes a life elsewhere. They might say that they're going home when they return to see old friends or parents, but then they go home as well when they go to where they live now. Sarajevo is home, Chicago is home.
Home is where somebody notices when you are no longer there.
I loved you because there was no other place for me to go. We were married because we did not know what else to do with each other. You never knew me, nothing about me, what died inside me, what lived invisibly.
All the lives I could live, all the people I will never know, never will be, they are everywhere. That is all that the world is.
I wanted us to share the sense that the number of wrong moves far exceeds the number of good moves, to share the frightening instability of the correct decision, to bond in being confounded.
It's impossible to be ethnically pure.
And Nature takes no account of moral consequences, of arbitrary conditions which we create, and which we feel obliged to maintain at any cost.
The resistance to the unpleasant situation is the root of suffering.
Soft pity enters an iron gate.
Any dispute in matters of taste usually results in a standoff.
It is said that scattered through Despair's domain are a multitude of tiny windows, hanging in the void. Each window looks out onto a different scene, being, in our world, a mirror. Sometimes you will look into a mirror and feel the eyes of Despair upon you, feel her hook catch and snag on your heart.
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