If you dont [sic] say what you want, what's the sense of writing?
Interpretation
The quote emphasizes the importance of expressing one's desires and intentions in writing.
Jack Kerouac's quote suggests that writing loses its purpose if it does not convey what the writer truly wants to express. It highlights the crucial role of authenticity and clarity in communication, reminding us that creativity stems from a genuine reflection of our thoughts and desires. Without stating our true intentions, writing becomes a mere exercise without meaning or impact.
In practice
In a writing workshop, one might use this quote to encourage participants to be honest about their feelings in their pieces.
Dharma Bums refusing to subscribe to the general demand that they consume production and therefore have to work for the privilege of consuming, all that cramp they didn't really want anyway such as refrigerators, TV sets, cars, at least new fancy cars, certain hair oils and deodorants and general junk you finally always see a week later in the garbage anyway, all of them imprisoned in a system of work, produce, consume, work, produce, consume.
I was amazed by the fact that I was not the only writer living, not the only young man "with a locomotive in his chest, and that's a fact," not the only youth with a million hungers and not one of them appeasable, not the only one who is lonely among multitudes, and does not know why.
My aunt once said that the world would never find peace until men fell at their women's feet and asked for forgiveness.
The bus roared through Indiana cornfields that night; the moon illuminated the ghostly gathered husks; it was almost Halloween. I made the acquaintance of a girl and we necked all the way to Indianapolis. She was nearsighted. When we got off to eat I had to lead her by the hand to the lunch counter. She bought my meals; my sandwiches were all gone. In exchange I told her long stories.
Holding up my purring cat to the moon. I sighed.
It seemed like a matter of minutes when we began rolling in the foothills before Oakland and suddenly reached a height and saw stretched out ahead of us the fabulous white city of San Francisco on her eleven mystic hills with the blue Pacific and its advancing wall of potato-patch fog beyond, and smoke and goldenness in the late afternoon of time.
Each of his phrases was rather like a little ancient island, inundated by a miniature sea of whiskey.
There is no art without intention.
In a clown, we see what we do that makes us laugh and cry. I kept the white face, the tradition of the Pierrot. My clown became a romantic and stylized figure. I wanted to be an abstract and concrete figure, a symbol of humanity.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
The avantgarde are people who don't exactly know where they want to go, but are the first to get there.
I don't really believe in the mystery of cinematography - what happens in the camera is what the cinematographers create and all that nonsense - I want the director to see what I'm trying to do.
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