One of the great things about books is you can afford to do anything.
George R. R. MartinRead
The snow drifted down and down, all in ghostly silence, and lay thick and unbroken on the ground. It was a place of whites and blacks and greys. White towers and white snow and white statues, black shadows and black trees, the dark grey sky above. A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same.
Interpretation
The quote reflects a sense of alienation and the beauty of a stark, pure landscape.
In this passage, Sansa observes a mesmerizing yet desolate winter scene that evokes feelings of purity and isolation. Although she feels out of place in this serene environment, her decision to step outside suggests a willingness to confront her surroundings, highlighting themes of acceptance and the complexity of belonging.
In practice
During a reflective moment at a winter retreat, one might use this quote to express feelings of solitude.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
I had the sense when I looked back over my life I would actually see a mess of decisions, a few of which I had thought about, some of which I had sort of stumbled on and many that I had no control over whatsoever.
It's been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home -- only the millions of last moments . . . nothing more. Our history is an aggregate of last moments.
A hundred times have I thought New York is a catastrophe and 50 times: It is a beautiful catastrophe.
A high standard of living cannot remain the exclusive possession of the West - and the sooner we can help other peoples to develop their resources, raise their living standards, and strengthen their national independence, the safer the world will be for us all.
So while I can't tell you if bringing a child into this world is the morally-responsible to do, I can say that the future, much like the present, is going to be a whole lot better than you think.
I just followed my parents' example and advice on living, which was to leave the world a better place than you found it. They were professional do-gooders, ministers of the church, social workers, teachers, and missionaries, that sort of thing.
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