The difference between a builder and an architect is that an architect also cares about desire, about dreams.
Renzo PianoRead
There is something about giving everything to your profession. In Italian, an obsession is not necessarily negative. It's the art of putting all your energy into one thing; it's the art of transforming even what you eat for lunch into architecture.
Interpretation
This quote emphasizes the importance of dedication and passion for one's profession, suggesting that true obsession can lead to artistic mastery.
Renzo Piano's quote suggests that when one truly dedicates themselves to their profession, they can elevate even the simplest aspects of life into an art form. He implies that obsession, typically viewed negatively, can actually be a powerful force in creativity and excellence, as it drives a person to transform every detail into a work of art, highlighting the interconnectedness of life and one's craft.
In practice
In a motivational speech about pursuing your dreams, this quote could inspire aspiring architects.
The difference between a builder and an architect is that an architect also cares about desire, about dreams.
You have to accept as an architect to be exposed to criticism. Architecture should not rely on full harmony.
I don't like the idea that the first preparation when you start to design your building has to put your label. I think this is not fair. It's not fair to the building or to the people, to the client, because every building tells a different story.
I came to architecture from building. Because my father was a builder, everybody was - and is - a builder in my family.
When you design a building, you start from a general philosophy, and you come down, and you start from detail and come up. Only the theoretical architect believes that you can make the concept and then sometime, somebody will come to build it.
In architecture you should live for 150 years, because you have to learn in the first 75 years.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
Baseball is a ballet without music. Drama without words.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
The painter I really thought I could learn from was Cezanne - some sort of resemblance to oranges and greens and browns of the dry season in St. Lucia.
If my books had been any worse, I should not have been invited to Hollywood, and if they had been any better, I should not have come.
ELECTED Silence, sing to me And beat upon my whorlèd ear, Pipe me to pastures still and be The music that I care to hear.
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