The difference between a builder and an architect is that an architect also cares about desire, about dreams.
Renzo PianoRead
I don't like the idea that the first preparation when you start to design your building has to put your label. I think this is not fair. It's not fair to the building or to the people, to the client, because every building tells a different story.
Interpretation
Buildings have unique stories and should not be confined to a single label or identity.
Renzo Piano expresses a sentiment that every building is distinctive and has its own narrative, which should not be limited or defined by a singular label or expectation. He argues that this labeling is unfair both to the architectural design and to the individuals who interact with it, as it reduces the potential richness of a building's story and significance.
In practice
In a speech about architectural identity, one could use this quote to emphasize the importance of understanding a building's individual story.
The difference between a builder and an architect is that an architect also cares about desire, about dreams.
You have to accept as an architect to be exposed to criticism. Architecture should not rely on full harmony.
There is something about giving everything to your profession. In Italian, an obsession is not necessarily negative. It's the art of putting all your energy into one thing; it's the art of transforming even what you eat for lunch into architecture.
I came to architecture from building. Because my father was a builder, everybody was - and is - a builder in my family.
When you design a building, you start from a general philosophy, and you come down, and you start from detail and come up. Only the theoretical architect believes that you can make the concept and then sometime, somebody will come to build it.
In architecture you should live for 150 years, because you have to learn in the first 75 years.
I would like to paint the way a bird sings.
It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.
They didn't dictate to me as to what kind of music that they wanted me to play or what tunes, what musicians that I was going to use. They let me do my thing. That's one reason I stayed there for twenty-eight years.
I love borders. August is the border between summer and autumn; it is the most beautiful month I know. Twilight is the border between day and night, and the shore is the border between sea and land. The border is longing: when both have fallen in love but still haven't said anything. The border is to be on the way. It is the way that is the most important thing.
Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made.
'Let the music play on' would be my legacy.
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