An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
There is something like an explosion in the meaning of certain words: they have a greater value than their meaning in the dictionary.
Interpretation
Words can hold deeper significance beyond their dictionary definitions.
Marcel Duchamp suggests that the significance of certain words extends beyond their literal definitions found in the dictionary, indicating that their meanings can evolve and explode into broader interpretations based on context, culture, and personal experience. This highlights the complex relationship between language and meaning in art and human expression.
In practice
In a discussion about modern art, one might use this quote to emphasize the power of artistic expression.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
I like simplicity. I like using natural sources. I like images to look natural - as though somebody sitting in a room by a lamp is being lit by that lamp.
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
When I was a child, I used to paint intently. The older I become, and the closer death approaches, the brighter my life gets day by day.
But in the next world I shan't be doing music, with all the striving and disappointments. I shall be being it.
I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future.
No one is an artist unless he carries his picture in his head before painting it, and is sure of his method and composition.
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