In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.
Viggo MortensenRead
You don't have to make something that people call art. Living is an artistic activity, there is an art to getting through the day.
Interpretation
Life itself can be seen as an artistic endeavor, not just the creation of traditional art forms.
Viggo Mortensen emphasizes that art is not confined to conventional creations like paintings or sculptures. Instead, he suggests that every aspect of life, including the way we navigate our daily experiences, can be considered a form of art, highlighting the beauty and creativity inherent in everyday living.
In practice
During a speech about creativity in everyday life.
In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.
One of the best pieces of advice I ever got was from a horse master. He told me to go slow to go fast. I think that applies to everything in life. We live as though there aren't enough hours in the day but if we do each thing calmly and carefully we will get it done quicker and with much less stress.
When I land in a country and they ask for 'occupation,' I always just put 'artist.' I think that covers all of it.
As far as money goes, there's a saying in Denmark: 'Your last suit doesn't have any pockets.' You can't take it with you. You can make all the money you want, but who cares?
Once something is memorable, it's living and you're using it. That to me is the foundation of a creative society.
The light constantly changes, and that alters the atmosphere and beauty of things every minute.
For me, writing time has always been precious, something I wait for and am eager for and make the best use of. That's probably why I get up so early and have writing time in the quiet dawn hours, when no one needs me.
Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
The idea of making audiences feel like they matter, that the theatre matters, and that they're a partner in the event—that's what fuels me as a director . . . I believe it's actually radical to think about the audience.
Actors search for rejection. If they don't get it they reject themselves.
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