People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
Sometimes when you're heavy into the shooting or editing of a picture, you get to the point where you don't know if you could ever do it again.
Interpretation
Creative work can feel overwhelming, leading to doubt about one's ability to replicate the effort.
In the process of creating art, whether it's photography or filmmaking, artists often reach a critical juncture where the intensity of their current work makes them question their talent and capability to achieve similar results in the future. This common experience speaks to the emotional and psychological challenges that come with artistic expression, where the pressure to produce can lead to self-doubt and uncertainty.
In practice
This quote can be shared during a filmmaking workshop to inspire emerging filmmakers about the challenges of the craft.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
We are not moving towards some kind of goal. We are at the goal, and it is changing with us. If art has any purpose, it is to open our eyes to that fact.
Writing a story or a novel is one way of discovering sequence in experience, of stumbling upon cause and effect in the happenings of a writer's own life.
For me personally, Elliott Carter was and remains one of the most meaningful composers of the late 20th and early 21st centuries because he represents substance. He was the living proof of uncompromising, complex music, which at first seems inaccessible. But it becomes accessible if one digs in and sees the development through.
Then you develop a kind of critical sense about what you write. You can tell when something is good, but it would be just as good in somebody else's work too. You want to hold out for those things only you can say.
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
Fiction, with its preference for what is small and might elsewhere seem irrelevant; its facility for smuggling us into another skin and allowing us to live a new life there; its painstaking devotion to what without it might go unnoticed and unseen; its respect for contingency, and the unlikely and odd; its willingness to expose itself to moments of low, almost animal being and make them nobly illuminating, can deliver truths we might not otherwise stumble on.
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