Every time you pick up your guitar to play, play as if it's the last time.
Eric ClaptonRead
I mean, the sound of an amplified guitar in a room full of people was so hypnotic and addictive to me, that I could cross any kind of border to get on there.
Interpretation
The quote expresses the deep emotional connection and allure that music, particularly the amplified sound of a guitar, can create in a person.
In this quote, Eric Clapton describes the powerful effect that the amplified sound of a guitar has on him, indicating that it captivates and enchants him to such an extent that he would go to great lengths, crossing borders, to experience it. This reflects the profound impact of music on the human experience, highlighting how it can draw people together and evoke strong emotions.
In practice
This quote can be used during a speech about the transformative power of music at a concert.
Every time you pick up your guitar to play, play as if it's the last time.
There are people these days who can do things on the guitar which are beyond my reach. There's one guy who plays with Queen who can do things I would dream of doing. I sincerely mean that.
My original interests and intentions in guitar playing were primarily created on quality of tone, for instance, the way the instrument could be made to echo or simulate the human voice.
When I saw Jimi Hendrix I knew immediately that this guy was the real thing ... and when he played it was like a rough sketch of what he was going to become ... this guy was our generation, and he wasn't in a suit .. he played a Howlin' Wolf song 'Killing Floor', and then we (The Cream) had to carry on the set. It was pretty hard to follow.
My definition of Blues is that it's a musical form which is very disciplined and structured coupled with a state of mind, and you can have either of those things but it's the two together that make it what it is. And you need to be a student for one, and a human being for the other, but those things alone don't do it.
My selective memory of what drinking was like told me that standing at the bar in a pub, on a summer's evening with a long, tall glass of lager and lime was heaven, and I chose not to remember the nights on which I had sat with a bottle of vodka, a gram of coke and a shotgun, contemplating suicide.
Dialogue must appear realistic without being so. Actual realism-the lifting, as it were, of passages from a stenographer's take-down of a 'real life' conversation-would be disruptive. Of what? Of the illusion of the novel. In 'real life' everything is diluted; in the novel everything is condensed.
My work is not about "form follows function," but "form follows beauty" or, even better, "form follows feminine."
Artists can have greater access to reality; they can see patterns and details and connections that other people, distracted by the blur of life, might miss. Just sharing that truth can be a very powerful thing.
I taught myself how to draw, and I soon found out it was what I really wanted to do. I didn't think I was going to create any great masterpieces like Rembrandt or Gauguin. I thought comics was a common form of art, and strictly American in my estimation, because America was the home of the common man - and show me the common man that can't do a comic. So comics is an American form of art that anyone can do with a pencil and paper.
I think it's good not to make demands on the reader too early. But as the poem goes on, I want the journey of the poem to lead into some interesting places.
I don't like to read contemporary fiction while writing - I need a sense of isolation, a kind of silence, and I don't want a jumble of other people's voices or visions getting in my way. Nineteenth-century voices don't create static in that silence.
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