Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Wole SoyinkaRead
There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda. Propaganda can be written by anybody, including dictators.
Interpretation
Writers should not feel pressured to be activists; doing so can dilute their creative expression into mere propaganda.
Wole Soyinka emphasizes that writing should not be limited to activism or political agendas, as this reduces the role of the writer to that of a propagandist. True creativity and literary artistry can arise from various subjects, and forcing a political stance onto writers can result in a loss of genuine expression, reducing valuable literary work to mere political statements.
In practice
In a literary discussion on the role of authors, one might use this quote to highlight the importance of creative freedom.
Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
A war, with its attendant human suffering, must, when that evil is unavoidable, be made to fragment more than buildings: It must shatter the foundations of thought and re-create. Only in this way does every individual share in the cataclysm and understand the purpose of sacrifice.
Rwanda, which is one of the younger independent states in Africa, must be regarded as a model of how great human trauma can be transformed to commence true reconstruction of people. Human trauma can lead to stunted growth and mass withdrawal.
I have a kind of magnetic attraction to situations of violence.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
No doubt the artist is the child of his time; but woe to him if he is also its disciple, or even its favorite.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.
When people ask what 'American Pie' is about, they're missing the point. The song isn't about the lines themselves - it's about what is between the lines. The song is about what isn't there.
I do - very specifically, I remember Bessie Smith; I used to collect 78 records that I would buy from the St Vincent de Paul store at five cents apiece, and I did this indiscriminately. I would just take whatever was there. And I listened to Patti Page and Walter Huston, 'September Song.'
There was no market for poetry about trauma, abuse, loss, love, and healing through the lens of a Punjabi-Sikh immigrant woman.
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