Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Wole SoyinkaRead
There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda. Propaganda can be written by anybody, including dictators.
Interpretation
Writers should not feel pressured to be activists; doing so can dilute their creative expression into mere propaganda.
Wole Soyinka emphasizes that writing should not be limited to activism or political agendas, as this reduces the role of the writer to that of a propagandist. True creativity and literary artistry can arise from various subjects, and forcing a political stance onto writers can result in a loss of genuine expression, reducing valuable literary work to mere political statements.
In practice
In a literary discussion on the role of authors, one might use this quote to highlight the importance of creative freedom.
Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
A war, with its attendant human suffering, must, when that evil is unavoidable, be made to fragment more than buildings: It must shatter the foundations of thought and re-create. Only in this way does every individual share in the cataclysm and understand the purpose of sacrifice.
Rwanda, which is one of the younger independent states in Africa, must be regarded as a model of how great human trauma can be transformed to commence true reconstruction of people. Human trauma can lead to stunted growth and mass withdrawal.
I have a kind of magnetic attraction to situations of violence.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
If you wait, people will forget your camera, and the soul will drift up into view.
I'm a rewriter. That's the part I like best . . . once I have a pile of paper to work with, it's like having the pieces of a puzzle. I just have to put the pieces together to make a picture.
Drawing is a kind of hypnotism: one looks in such a way at the model, that he comes and takes a seat on the paper.
The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward.
I have made a silent compact with myself not to change a line of what I write. I am not interested in perfecting my thoughts, nor my actions.
Rewriting isn't just about dialogue; it's the order of the scenes, how you finish a scene, how you get into a scene.
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