You can't master your future if you're still a slave to your past.
RihannaRead
I find that when I get on stage now, I don't want to perform a lot of my songs because they don't feel like me. So I want to make songs that are timeless.
Interpretation
Rihanna expresses a desire to create music that reflects her true self and stands the test of time.
In this quote, Rihanna reveals her evolving relationship with her art, noting that as she grows, many of her older songs no longer resonate with her identity. This desire for authenticity drives her to create music that is not only meaningful to her but is also timeless, suggesting a yearning for a deeper connection between her artistic expression and her personal growth.
In practice
During a motivational speech on creativity.
You can't master your future if you're still a slave to your past.
I used to feel unsafe right in the moment of an accomplishment - I felt the ground fall from under my feet because this could be the end. And even now, while everyone is celebrating, I'm on to the next thing. I don't want to get lost in this big cushion of success.
When it comes to everybody else's thing and their lane and their timing, I'm never doing anything intentional to, like, come after somebody. That will always be my biggest mistake or anybody's biggest mistake if that's their intention.
Keep your eyes on the finish line and not on the turmoil around you.
People - especially white people - they want me to be a role model just because of the life I lead. The things I say in my songs, they expect it of me.
Once you're back on your feet - if you ever make it back on your feet - that's the ultimate achievement. I remember I was in New York at the Trump Hotel and I woke up and I just knew I was over it. It was a different day. I felt different. I didn't feel lonely. I felt like I wanted to get up and be in the world. That was a great, great feeling.
The last song was so deep and raw and pure that I could not escape. It was as if the people were singing in between the notes, weeping and joyful at the same time, and I felt like their voices or something was rocking me in its bosom, holding me like a scared kid, and I opened up to that feeling-and it washed over me.
To be a film-maker, you are almost forced to be surrounded by contradictions... You must have talents of so many different kinds - talents that are contradictory.
The life of a designer is a life of fight. Fight against the ugliness. Just like a doctor fights against disease. For us, the visual disease is what we have around, and what we try to do is cure it somehow with design.
Genres aren't closed boxes. Stuff flows back and forth across the borders all the time.
To me more dear, congenial to my heart, One native charm, than all the gloss of art.
Making a movie and not directing the little moments is like drinking a soda and leaving the little slurp puddle for someone else.
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