You can't master your future if you're still a slave to your past.
RihannaRead
I find that when I get on stage now, I don't want to perform a lot of my songs because they don't feel like me. So I want to make songs that are timeless.
Interpretation
Rihanna expresses a desire to create music that reflects her true self and stands the test of time.
In this quote, Rihanna reveals her evolving relationship with her art, noting that as she grows, many of her older songs no longer resonate with her identity. This desire for authenticity drives her to create music that is not only meaningful to her but is also timeless, suggesting a yearning for a deeper connection between her artistic expression and her personal growth.
In practice
During a motivational speech on creativity.
You can't master your future if you're still a slave to your past.
I used to feel unsafe right in the moment of an accomplishment - I felt the ground fall from under my feet because this could be the end. And even now, while everyone is celebrating, I'm on to the next thing. I don't want to get lost in this big cushion of success.
When it comes to everybody else's thing and their lane and their timing, I'm never doing anything intentional to, like, come after somebody. That will always be my biggest mistake or anybody's biggest mistake if that's their intention.
Keep your eyes on the finish line and not on the turmoil around you.
People - especially white people - they want me to be a role model just because of the life I lead. The things I say in my songs, they expect it of me.
Once you're back on your feet - if you ever make it back on your feet - that's the ultimate achievement. I remember I was in New York at the Trump Hotel and I woke up and I just knew I was over it. It was a different day. I felt different. I didn't feel lonely. I felt like I wanted to get up and be in the world. That was a great, great feeling.
The world of a comic strip ought to be a special place with its own logic and life... I don't want the issue of Hobbes's reality settled by a doll manufacturer.
History shows us that in times of people feeling like they are in need of some sort of rebellion or protests, the artists rise because the poetry we create about pain and its relationship to culture in the world begins to soothe and heal people who are feeling confused or afraid.
When people say that moviegoing is dead, I go, 'OK, so the makers of 'Get Out' should've sold that movie to a platform? Then they don't have this insane, crazy success theatrically all over the world.'
Color! What a deep and mysterious language, the language of dreams.
I might be in the basement. I'll go upstairs and check. We adore chaos because we love to produce order. I don't use drugs; my dreams are frightening enough.
The unsatisfied yearning of the artist reaches back to the primordial image in the unconscious which is best fitted to compensate the inadequacy and one-sidedness of the present.
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