Male dominance in society always means that out of public sight, in the private, ahistorical world of men with women, men are sexually dominating women.
Andrea DworkinRead
Standards of beauty describe in precise terms the relationship that an individual will have to her own body. They prescribe her mobility, spontaneity, posture, gait, the uses to which she can use her body. They define precisely the dimension of her physical freedom and psychological development, intellectual possibility, and creative potential is an umbilical one.
Interpretation
This quote critiques the societal standards of beauty and their impact on a woman's autonomy and potential.
Andrea Dworkin highlights how the standards of beauty imposed by society dictate not only how a woman perceives her body but also restricts her physical freedom, psychological growth, intellectual capabilities, and creative expression. These standards serve as a critical measure of how individuals relate to themselves and navigate their lives, ultimately influencing their overall potential and empowerment.
In practice
In a discussion about body positivity, this quote can emphasize the importance of redefining beauty standards.
Male dominance in society always means that out of public sight, in the private, ahistorical world of men with women, men are sexually dominating women.
Romantic love, in pornography as in life, is the mythic celebration of female negation. For a woman, love is defined as her willingness to submit to her own annihilation.... The proof of love is that she is willing to be destroyed by the one whom she loves, for his sake. For the woman, love is always self-sacrifice, the sacrifice of identity, will, and bodily integrity, in order to fulfill and redeem the masculinity of her lover.
I have been asked, politely and not so politely, why I am myself. This is an accounting any woman will be called on to give if she asserts her will.
We are born into a world in which sexual possibilities are narrowly circumscribed. . . . We are programmed by the culture as surely as rats are programmed to make the arduous way through the scientist's maze, and that programming operates on every level of choice and action.
Institutionalised in sports, the military, acculturated sexuality, the history and mythology of heroism, violence is taught to boys until they becomes its advocates.
In her heart she is a mourner for those who have not survived. In her soul she is a warrior for those who are now as she was then. In her life she is both celebrant and proof of women's capacity and will to survive, to become, to act, to change self and society. And each year she is stronger and there are more of her.
When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.
Mrs. Hopewell had no bad qualities of her own but she was able to use other people's in such a constructive way that she never felt the lack.
Whatever else it might be, the divine is certainly the thing that imposes with maximum intensity the sensation of being alive.
How do you tell a communist? Well, it's someone who reads Marx and Lenin. And how do you tell an anti-Communist? It's someone who understands Marx and Lenin.
We must mirror God's love in the midst of a world full of hatred. We are the mirrrors of God's love, so we may show Jesus by our lives
To live past the end of your myth is a perilous thing.
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