Listen, I wrote 10 unsuccessful books before I broke through, so I'm looking all the time to keep my books fascinating. I want to write what people want to read, not push any message.
Ken FollettRead
I want to tell a story that makes the reader always want to see what will happen next.
Interpretation
The quote emphasizes the importance of storytelling in engaging an audience.
Ken Follett highlights the fundamental goal of storytelling, which is to captivate and maintain the reader's interest through a narrative that leaves them eager for more. This reflects the essence of good writing, where anticipation and curiosity guide the reader's experience.
In practice
This quote can be used in a writing workshop to inspire budding authors.
Listen, I wrote 10 unsuccessful books before I broke through, so I'm looking all the time to keep my books fascinating. I want to write what people want to read, not push any message.
Trusting someone was like holding a little water in your cupped hands - it was so easy to spill the water, and you could never get it back.
You see, all that I ever held dear has been taken from me," she said in a matter-of-fact tone. "And when you've lost everything-" Her facade began to crumble, and her voice broke, but she made herself carry on. "When you've lost everything, you've got nothing to lose.
Without books I would not have become a vivacious reader, and if you are not a reader you are not a writer.
When I'm writing a woman character, I don't think, 'What would a woman do?' I just think, 'What would this character do in this situation?'
Well, for people who want to write best sellers, the best advice I can give is to say that the novel has to engage the reader emotionally.
And that's what art is, a form in which people can reflect on who we are as human beings and come to some understanding of this journey we are on.
Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.
I have been given a lot of roles that are downtrodden, mammy-ish. A lot of lawyers or doctors who have names but absolutely no lives. You're going to get your three or four scenes; you're not going to be able to show what you can do.
Sit and quiet yourself. Luxuriate in a certain memory and the details will come. Let the images flow. You'll be amazed at what will come out on paper. I'm still learning what it is about the past that I want to write. I don't worry about it. It will emerge. It will insist on being told.
To see the butcher slap the steak before he laid it on the block, and give his knife a sharpening, was to forget breakfast instantly. It was agreeable too - it really was - to see him cut it off so smooth and juicy. There was nothing savage in the act, although the knife was large and keen; it was a piece of art, high art; there was delicacy of touch, clearness of tone, skilful handling of the subject, fine shading. It was the triumph of mind over matter; quite.
I'm a storyteller: the crux of the matter is to reach beauty, poetry; it doesn't matter if that is comedy or tragedy. They're the same if you reach the beauty.
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