Listen, I wrote 10 unsuccessful books before I broke through, so I'm looking all the time to keep my books fascinating. I want to write what people want to read, not push any message.
Ken FollettRead
I want to tell a story that makes the reader always want to see what will happen next.
Interpretation
The quote emphasizes the importance of storytelling in engaging an audience.
Ken Follett highlights the fundamental goal of storytelling, which is to captivate and maintain the reader's interest through a narrative that leaves them eager for more. This reflects the essence of good writing, where anticipation and curiosity guide the reader's experience.
In practice
This quote can be used in a writing workshop to inspire budding authors.
Listen, I wrote 10 unsuccessful books before I broke through, so I'm looking all the time to keep my books fascinating. I want to write what people want to read, not push any message.
Trusting someone was like holding a little water in your cupped hands - it was so easy to spill the water, and you could never get it back.
You see, all that I ever held dear has been taken from me," she said in a matter-of-fact tone. "And when you've lost everything-" Her facade began to crumble, and her voice broke, but she made herself carry on. "When you've lost everything, you've got nothing to lose.
Without books I would not have become a vivacious reader, and if you are not a reader you are not a writer.
When I'm writing a woman character, I don't think, 'What would a woman do?' I just think, 'What would this character do in this situation?'
Well, for people who want to write best sellers, the best advice I can give is to say that the novel has to engage the reader emotionally.
But in the next world I shan't be doing music, with all the striving and disappointments. I shall be being it.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
In the theatre we reach out and touch the past through literature, history and memory so that we might receive and relive significant and relevant human qualities in the present and then pass them on to future generations.
I've always had an idealistic streak about storytelling in that I believe we owe more to audiences than repeatedly bludgeoning them over the head while stealing their lunch money. We owe them inspiration. That's why I'm more interested now in creating new heroes than hooking up jumper cables to old ones.
My plays are ultimately about love, honor, duty, betrayal.
When I see an artist whose work I like at a party - I'm old now, so I can do this - I go right over and tell them how much I like their work. Instantly, I'm on their side. The act of saying it takes away the competition. The act of saying it makes me not hate them anymore, because they're good.
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