You imagine the carefully pruned, shaped thing that is presented to you is truth. That is just what it isn't. The truth is improbable, the truth is fantastic; it's in what you think is a distorting mirror that you see the truth.
Jean RhysRead
It is strange how sad it can be - sunlight in the afternoon, don't you think?
Interpretation
The quote reflects the complexity of emotions intertwined with everyday beauty.
In this quote, Jean Rhys expresses the idea that even moments that seem beautiful and bright, such as sunlight in the afternoon, can evoke feelings of sadness. This complexity reveals how our emotions can be deeply affected by our experiences and surroundings, illustrating the bittersweet nature of life where joy and sorrow coexist.
In practice
In a reflective moment during a poetry reading, this quote can illustrate the dichotomy of beauty and sadness.
You imagine the carefully pruned, shaped thing that is presented to you is truth. That is just what it isn't. The truth is improbable, the truth is fantastic; it's in what you think is a distorting mirror that you see the truth.
If I was bound for hell, let it be hell. No more false heaven. No more damned magic.
The musty smell, the bugs, the lonliness, this room, which is part of the street outside-this is all I want from life.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
My life, which seems so simple and monotonous, is really a complicated affair of cafés where they like me and cafés where they don't, streets that are friendly, streets that aren't, rooms where I might be happy, rooms where I shall never be, looking-glasses I look nice in, looking-glasses I don't, dresses that will be lucky, dresses that won't, and so on.
I must write. If I stop writing my life will have been an abject failure. It is that already to other people. But it could be an abject failure to myself. I will not have earned death.
You can't control the fact that you are born a white man or born into wealth. When people say, 'Check your privilege,' they're saying, 'Acknowledge how these factors helped you move through life.' They're not saying apologize for it.
Temptation is an irresistible force at work on a movable body.
Most nations, as well as people are impossible only in their youth; they become incorrigible as they grow older.
None but those who have learned the art of subjecting their senses as well as reason to hypothetical systems can be persuaded by the most specious rhetorician that the lots of life are equal; yet it cannot be denied that every one has his peculiar pleasures and vexations, that external accidents operate variously upon different minds, and that no man can exactly judge from his own sensations what another would feel in the same circumstances.
I am not sure how much good is done by moralising about fairy tales. This can be unsubtle - telling children that virtue will be rewarded, when in fact it is mostly simply the fact of being the central character that ensures a favourable outcome. Fairy tales are not, on the whole, parables.
About Jesus Christ and the Church, I simply know they're just one thing, and we shouldn't complicate the matter.
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