Being human is itself difficult, and therefore all kinds of settlements (except dream cities) have problems. Big cities have difficulties in abundance, because they have people in abundance.
Jane JacobsRead
Streets and their sidewalks-the main public places of a city-are its most vital organs.
Interpretation
Public spaces like streets and sidewalks are essential for the life of a city.
In this quote, Jane Jacobs emphasizes the critical role that streets and sidewalks play in the vibrancy and functionality of urban environments. She suggests that these public spaces are not just pathways for transportation but are vital organs that foster interaction, community, and the overall health of a city.
In practice
In a presentation about urban planning, this quote could illustrate the importance of pedestrian-friendly design.
Being human is itself difficult, and therefore all kinds of settlements (except dream cities) have problems. Big cities have difficulties in abundance, because they have people in abundance.
It may be that we have become so feckless as a people that we no longer care how things do work, but only what kind of quick, easy outer impression they give. If so, there is little hope for our cities or probably for much else in our society. But I do not think this is so.
(The psuedoscience of planning seems almost neurotic in its determination to imitate empiric failure and ignore empiric success.)
Whenever and wherever societies have flourished and prospered rather than stagnated and decayed, creative and workable cities have been at the core of the phenomenon. Decaying cities, declining economies, and mounting social troubles travel together. The combination is not coincidental.
This is what a city is, bits and pieces that supplement each other and support each other.
This is something everyone knows: A well-used city street is apt to be a safe street. A deserted city street is apt to be unsafe.
New York is a city with virtually no habitable public space - only private spaces expensively maintained within the general disaster.
Such reciprocity is the very structure of perception. We experience the sensuous world only by rendering ourselves vulnerable to that world. Sensory perception is this ongoing interweavement: the terrain enters into us only to the extent that we allow ourselves to be taken up within that terrain.
Deserts possess a particular magic, since they have exhausted their own futures, and are thus free of time. Anything erected there, a city, a pyramid, a motel, stands outside time. It's no coincidence that religious leaders emerge from the desert. Modern shopping malls have much the same function. A future Rimbaud, Van Gogh or Adolf Hitler will emerge from their timeless wastes.
What I learned from Mel Brooks was audacity - in performance as in life. Maybe you go too far, but try it.
We are taught to understand, correctly, that courage is not the absence of fear, but the capacity for action despite our fears.
Your body has a remarkable capacity to begin healing itself, and much more quickly than people had once realized, if you simply stop doing what's causing the problem.
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