Everything is complicated; if that were not so, life and poetry and everything else would be a bore.
Wallace StevensRead
Style is not something applied. It is something that permeates. It is of the nature of that in which it is found, whether the poem, the manner of a god, the bearing of a man. It is not a dress.
Interpretation
Style is inherent to the essence of something rather than an external addition.
In this quote, Wallace Stevens emphasizes that style is an intrinsic quality that defines the essence of a work or a person, rather than merely a superficial element like clothing. He suggests that true style emerges from the core of an entity—whether it's a poem, a deity, or an individual—and is a natural expression of their being.
In practice
In a speech about creativity, one could use this quote to illustrate the depth of artistic expression.
Everything is complicated; if that were not so, life and poetry and everything else would be a bore.
Most modern reproducers of life, even including the camera, really repudiate it. We gulp down evil, choke at good.
After one has abandoned a belief in God, poetry is that essence which takes its place as life's redemption.
Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams?
LIGHT FROM WITHIN my friend, cancer got you damn it: you had it beat for seven years at least. how did it come back? Why all that pain. again. and you, such a fighter you fought me over and over with tears and words and promises. you fought for me with honesty and a light so bright it hurts my heart. sweet lorna. at peace now finally no more battles, just light from within a flickering candle in the dark burns with you.
Unfortunately there is nothing more inane than an Easter carol. It is a religious perversion of the activity of Spring in our blood.
There's no reason music should be difficult for an audience to understand.
I like films that take their time a little bit more and don't show you all of their cards right away, characters that are conflicted and contradicting and seem one way at first and then suddenly turn out to be something else.
I'll go to the south of Sicily in the winter, and paint memories of Arles – I'll buy a piano and Mozart me that – I'll write long sad tales about people in the legend of my life – This part is my part of the movie, let's hear yours
What I want, when I write a poem, is no more than this: that it be preserved in some published form so that, in principle, someone, somewhere, will be able to find it and read it. That is all I need, as a poet, and that is the beauty, the luxury of my position. My lyric is mine and remains mine. Nobody can ruin it.
I hate this life of the fashionable world, always ordered, measured, ruled, like our music-paper. What I have always wished for, desired, and coveted, is the life of an artist, free and independent, relying only on my own resources, and accountable only to myself.
I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.
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