Rock and roll ain't nothing but jazz with a hard backbeat.
Keith RichardsRead
You don't find a style. A style finds you
Interpretation
Style is not something you force; it naturally develops and aligns with who you are.
In this quote, Keith Richards emphasizes the idea that one's personal style is not something that is actively sought after or created through effort. Rather, it is an organic expression that emerges from an individual's true self, experiences, and personality. This suggests that authenticity is key in the development of one's artistic or personal style.
In practice
In a speech about personal branding, one might say, 'Remember, you don't find a style; a style finds you.'
Rock and roll ain't nothing but jazz with a hard backbeat.
Everyone talks about rock these days; the problem is they forget about the roll.
There's just certain styles of playing that you do play in your own way. Maybe it's in the way your fingers bend, for all I know. And so whenever you pick up the guitar it's not so much the sound of the instrument itself, it's like the ting that you add onto it-the attitude.
If you've gotta think about being cool, you ain't cool.
If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.
There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
In contrast to the written account-which, depending on its complexity of thought, reference, and vocabulary, is pitched at a larger or smaller readership-a photograph has only one language and is destined potentially for all.
I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.
You are writing for your contemporaries - not for Posterity. If you are lucky, your contemporaries will become Posterity.
If you get hold of a head of hair on somebody you've never seen before, cut beautiful shapes, cut beautiful architectural angles and she walks out looking so different - I think that's masterful.
They didn't dictate to me as to what kind of music that they wanted me to play or what tunes, what musicians that I was going to use. They let me do my thing. That's one reason I stayed there for twenty-eight years.
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