Teenage girls have so much sway over culture, yet people sneer at the things that women and girls love, and are contemptuous of the creators of that content, particularly if they are women.
Interpretation
The quote highlights the significant influence teenage girls have on culture while also pointing out the societal disdain for their interests and the creators of that content, especially if they are female.
Leigh Bardugo's quote reflects on the paradox of teenage girls' power in shaping cultural trends juxtaposed with the condescension they face for their preferences and the artistic expressions of female creators. It underscores a societal tendency to belittle what is often associated with femininity, despite the substantial cultural impact these interests can have. This commentary points to the broader issues of gender bias and the need to acknowledge and celebrate diverse voices in cultural narratives.
In practice
Use this quote while discussing the representation of women in media at a seminar.
Here's the thing, we talk about diversity in the media as if it's some weird artificial construct that we're putting onto these narratives. But it isn't. Our world is not homogenous. It is not all straight or white or able-bodied, or if it is, maybe you should make some new friends. That is not what our world looks like.
Maybe love was superstition, a prayer we said to keep the truth of loneliness at bay. I tilted my head back. The stars looked like they were close together, when really they were millions of miles apart. In the end, maybe love just meant longing for something impossibly bright and forever out of reach.
Most of the female characters I admire come from science fiction and fantasy, maybe because there's more permission to shake up gender roles in genre.
And I desperately needed books that would take me out of my environment and show me a world where being smart and brave and prepared was more important than being cute or cheerful or knowing the right thing to say. And that's what science fiction and fantasy gave me.
I think in YA there's sometimes a temptation to create heroines who are infinitely resilient and wise and confident because those are the behaviors we want to see teens embrace and maybe we want to see those things in ourselves.
The two genres that probably take the most flack in literature - they are young adult and romance right now. I don't think it's a coincidence that these are genres that provide places for women to express desire and love for adventure, for the opportunity to be placed to heroic roles.
[Culture] denotes an historically transmitted pattern of meanings embodied in symbols, a system of inherited conceptions expressed in symbolic forms, by means of which men communicate, perpetuate, and develop their knowledge about and attitudes toward life.
You'd never know it from reading the rest of the Native writers, but Indians actually grew up with American pop culture.
One of the brilliant things about Britain is the way you've managed to save old things but to keep using them - that they've not just become museums the way they do in the United States.
If you read a lot of Chinese literature, there has always been very strong women figures - warriors, swordswomen - who defended honor and loyalty with the men. So, it's not new to our culture - it's always been very much a part of it. It's good that now the Western audience would have a different image of the Chinese women.
Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. All the conditions of modern life - its material plenitude, its sheer crowdedness - conjoin to dull our sensory faculties
Middle-class Pakistani cultural life is what I've seen, what I know - they're not all screaming faceless mullahs. It's disturbing that in American films, the character on the other side is not even named.
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