Teenage girls have so much sway over culture, yet people sneer at the things that women and girls love, and are contemptuous of the creators of that content, particularly if they are women.
Leigh BardugoRead
Most of the female characters I admire come from science fiction and fantasy, maybe because there's more permission to shake up gender roles in genre.
Interpretation
Female characters in science fiction and fantasy often challenge traditional gender roles.
Leigh Bardugo emphasizes that many of her favorite female characters emerge from the realms of science fiction and fantasy due to the genre's inherent flexibility and creativity in reimagining societal norms, particularly concerning gender. This freedom allows for more diverse portrayals and empowers female characters to defy stereotypical roles, which can lead to richer storytelling and deeper character development.
In practice
In a discussion about strong female leads in television shows, this quote could be used to highlight genre diversity.
Teenage girls have so much sway over culture, yet people sneer at the things that women and girls love, and are contemptuous of the creators of that content, particularly if they are women.
Here's the thing, we talk about diversity in the media as if it's some weird artificial construct that we're putting onto these narratives. But it isn't. Our world is not homogenous. It is not all straight or white or able-bodied, or if it is, maybe you should make some new friends. That is not what our world looks like.
Maybe love was superstition, a prayer we said to keep the truth of loneliness at bay. I tilted my head back. The stars looked like they were close together, when really they were millions of miles apart. In the end, maybe love just meant longing for something impossibly bright and forever out of reach.
And I desperately needed books that would take me out of my environment and show me a world where being smart and brave and prepared was more important than being cute or cheerful or knowing the right thing to say. And that's what science fiction and fantasy gave me.
I think in YA there's sometimes a temptation to create heroines who are infinitely resilient and wise and confident because those are the behaviors we want to see teens embrace and maybe we want to see those things in ourselves.
The two genres that probably take the most flack in literature - they are young adult and romance right now. I don't think it's a coincidence that these are genres that provide places for women to express desire and love for adventure, for the opportunity to be placed to heroic roles.
Nobody reads a mystery to get to the middle. They read it to get to the end. If it's a letdown, they won't buy anymore. The first page sells that book. The last page sells your next book.
The profession of book writing makes horse racing seem like a solid, stable business.
The one thing about being a dude and writing from a female perspective is that the baseline is, you suck. The baseline is it takes so long for you to work those atrophied muscles - for you to get on parity with what women's representations of men are.
Great literature cannot grow from a neglected or impoverished soil. Only if we actually tend or care will it transpire that every hundred years or so we might get a Middlemarch.
For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.
By God, if women had written stories, As clerks had within here oratories, They would have written of men more wickedness Than all the mark of Adam may redress.
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