Teenage girls have so much sway over culture, yet people sneer at the things that women and girls love, and are contemptuous of the creators of that content, particularly if they are women.
Leigh BardugoRead
Most of the female characters I admire come from science fiction and fantasy, maybe because there's more permission to shake up gender roles in genre.
Interpretation
Female characters in science fiction and fantasy often challenge traditional gender roles.
Leigh Bardugo emphasizes that many of her favorite female characters emerge from the realms of science fiction and fantasy due to the genre's inherent flexibility and creativity in reimagining societal norms, particularly concerning gender. This freedom allows for more diverse portrayals and empowers female characters to defy stereotypical roles, which can lead to richer storytelling and deeper character development.
In practice
In a discussion about strong female leads in television shows, this quote could be used to highlight genre diversity.
Teenage girls have so much sway over culture, yet people sneer at the things that women and girls love, and are contemptuous of the creators of that content, particularly if they are women.
Here's the thing, we talk about diversity in the media as if it's some weird artificial construct that we're putting onto these narratives. But it isn't. Our world is not homogenous. It is not all straight or white or able-bodied, or if it is, maybe you should make some new friends. That is not what our world looks like.
Maybe love was superstition, a prayer we said to keep the truth of loneliness at bay. I tilted my head back. The stars looked like they were close together, when really they were millions of miles apart. In the end, maybe love just meant longing for something impossibly bright and forever out of reach.
And I desperately needed books that would take me out of my environment and show me a world where being smart and brave and prepared was more important than being cute or cheerful or knowing the right thing to say. And that's what science fiction and fantasy gave me.
I think in YA there's sometimes a temptation to create heroines who are infinitely resilient and wise and confident because those are the behaviors we want to see teens embrace and maybe we want to see those things in ourselves.
The two genres that probably take the most flack in literature - they are young adult and romance right now. I don't think it's a coincidence that these are genres that provide places for women to express desire and love for adventure, for the opportunity to be placed to heroic roles.
Look, man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is?
It is the nobility of their style which will make our writers of 1840 unreadable forty years from now.
If a secret history of books could be written, and the author's private thoughts and meanings noted down alongside of his story, how many insipid volumes would become interesting, and dull tales excite the reader!
From the beginnings of literature, poets and writers have based their narratives on crossing borders, on wandering, on exile, on encounters beyond the familiar. The stranger is an archetype in epic poetry, in novels. The tension between alienation and assimilation has always been a basic theme.
To encounter 'Beowulf' is like taking a sledgehammer to a quarry face. You must bang in there.
I'm aware that many of my friends will be saddened and shocked, or shock-saddened, over some of the chapters in 'The Catcher In the Rye.' Some of my best friends are children. In fact, all my best friends are children. It's almost unbearable for me to realize that my book will be kept on a shelf out of their reach.
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