A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Neil GaimanRead
Television and cinema were all very well, but these stories happened to other people. The stories I found in books happened inside my head. I was, in some way, there. It's the magic of fiction: you take the words and you build them into worlds.
Interpretation
This quote emphasizes the immersive experience of reading fiction compared to visual media like television and cinema.
In this quote, Neil Gaiman highlights the unique power of literature to engage the imagination and create personal worlds within a reader's mind. Unlike visual storytelling, which presents stories from an external perspective, reading allows individuals to actively participate in and inhabit the narratives, making the experience deeply personal and transformative.
In practice
In a discussion about the impact of literature, this quote can illustrate the unique connection readers have with books.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
It doesn't matter if your lead character is good or bad. He just has to be interesting, and he has to be good at what he does.
Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
Dreaming about being an actress, is more exciting then being one.
Great buildings, like great mountains, are the work of centuries.
My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
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