Without a global revolution in the sphere of human consciousness a more humane society will not emerge.
Vaclav HavelRead
I think theatre should always be somewhat suspect.
Interpretation
Theatre can provoke critical thought and should not be taken at face value.
Vaclav Havel's quote emphasizes the importance of questioning and critically evaluating theatre as an art form. He suggests that theatre, while entertaining, also has the potential to challenge perceptions and reflect societal issues, making it imperative for audiences to maintain a critical attitude towards it rather than accepting everything passively.
In practice
In a speech about the importance of art in society, one might say, 'As Vaclav Havel noted, I think theatre should always be somewhat suspect.'
Without a global revolution in the sphere of human consciousness a more humane society will not emerge.
Ownership is not a vice, not something to be ashamed of, but rather a commitment, and an instrument by which the general good can be served.
In my opinion, theater shouldn't give advice to citizens.
Sometimes I wonder if suicides aren't in fact sad guardians of the meaning of life.
The exercise of power is determined by thousands of interactions between the world of the powerful and that of the powerless, all the more so because these worlds are never divided by a sharp line: everyone has a small part of himself in both.
Human rights, human freedoms... and human dignity have their deepest roots somewhere outside the perceptible world... while the state is a human creation, human beings are the creation of God.
A typical TV show is always about protecting the franchise - it's all about stretching it out as long as you can take it. And it's about taking the characters in any given hour as far as you can take them, but then resetting them more or less back to zero so at the beginning of the next week, so they're still the character you know and love.
Words are really beautiful, but they're limited. Words are very male, very structured. But the voice is the netherworld, the darkness, where there's nothing to hang onto. The voice comes from a part of you that just knows and expresses and is.
So much in writing depends on the superficiality of one's days.
And if you can find out something about the laws of your own growth and vision as well as those of photography you may be able to relate the two, create an object that has a life of its own, which transcends craftsmanship. That is a long road, and because it must be your own road nobody can teach it to you or find it for you. There are no shortcuts, no rules.
Perhaps 'photography' has become so all-pervasive that it no longer makes sense to think about it as a discreet practice or field of inquiry. In other words, perhaps 'photography,' as a meaningful cultural trope, is over.
We have to support our own films. If we don't, how can we expect others to support them?
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