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At the time I could no more believe my eyes than now I can trust my memory.
W. G. Sebald
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Interpretation

What this quote means

The quote reflects on the reliability of perception and memory.

W. G. Sebald's quote grapples with the themes of perception and memory, suggesting that our ability to trust our senses is often challenged by the passage of time. It raises questions about the accuracy of our recollections and the subjective nature of reality, emphasizing that what we perceive and remember may not always align with the truth of our experiences.

Themes

PerceptionMemoryTrustRealityTruth

In practice

Example use cases

In a philosophy class while discussing the nature of reality.

More from W. G. Sebald

How happily, said Austerlitz, have I sat over a book in the deepening twilight until I could no longer make out the words and my mind began to wander, and how secure have I felt seated at the desk in my house in the dark night, just watching the tip of my pencil in the lamplight following its shadow, as if of its own accord and with perfect fidelity, while that shadow moved regularly from left to right, line by line, over the ruled paper.
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When I was a boy, I'd hide under the kitchen table and wind string around the chairs. I have a sense now that I am pulling on those threads. The more I pull, the more it comes unraveled.
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If you're based in two places, on a bad day you see only the disadvantages everywhere. On a bad day, returning to Germany brings back all kinds of spectres from the past.
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The seasons and the years came and went...and always...one was, as the crow flies, about 2,000 km away - but from where? - and day by day hour by hour, with every beat of the pulse, one lost more and more of one's qualities, became less comprehensible to oneself, increasingly abstract.
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You could grow up in Germany in the postwar years without ever meeting a Jewish person. There were small communities in Frankfurt or Berlin, but in a provincial town in south Germany, Jewish people didn't exist.
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No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
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