Oh, let there be nothing on earth but laundry,_x000D_ Nothing but rosy hands in the rising steam_x000D_ And clear dances done in the sight of heaven.
Richard WilburRead
It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; they constitute his ideal audience and his better self.
Interpretation
The poet communicates not just with those around him but with a deeper audience of influences and ideals.
In this quote, Richard Wilbur highlights the idea that a poet's true audience is not merely the physical people around him but rather an internal assembly of inspirations and admired figures that shape his creative expression. This 'congress' represents the ideals and teachings that inform the poet's work, suggesting that art is a conversation with one's own better self and the legacy of those who have influenced us.
In practice
In a discussion on the role of poetry in society during a literature class.
Oh, let there be nothing on earth but laundry,_x000D_ Nothing but rosy hands in the rising steam_x000D_ And clear dances done in the sight of heaven.
I would feel dead if I didn't have the ability periodically to put my world in order with a poem. I think to be inarticulate is a great suffering, and is especially so to anyone who has a certain knack for poetry.
My greatest debt will always be to the movie-going public of yesterday and today, without whose love and devotion I would have had no story to tell.
What makes us feel drawn to music is that our whole being is music: our mind and body, the nature in which we live, the nature which has made us, all that is beneath and around us, it is all music.
Art, especially the stage, is an area where it is impossible to walk without stumbling.
My concern has always been to paint nudes as if they were some splendid fruit.
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and then was taken (at age eight) to hear Pons at a Met performance of Lakme. It was at that moment that I decided to become an opera star. Not just an opera singer, but an opera star!
It would be a lowly art that allowed itself to be understood all at once.
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