Oh, let there be nothing on earth but laundry,_x000D_ Nothing but rosy hands in the rising steam_x000D_ And clear dances done in the sight of heaven.
Richard WilburRead
It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; they constitute his ideal audience and his better self.
Interpretation
The poet communicates not just with those around him but with a deeper audience of influences and ideals.
In this quote, Richard Wilbur highlights the idea that a poet's true audience is not merely the physical people around him but rather an internal assembly of inspirations and admired figures that shape his creative expression. This 'congress' represents the ideals and teachings that inform the poet's work, suggesting that art is a conversation with one's own better self and the legacy of those who have influenced us.
In practice
In a discussion on the role of poetry in society during a literature class.
Oh, let there be nothing on earth but laundry,_x000D_ Nothing but rosy hands in the rising steam_x000D_ And clear dances done in the sight of heaven.
I would feel dead if I didn't have the ability periodically to put my world in order with a poem. I think to be inarticulate is a great suffering, and is especially so to anyone who has a certain knack for poetry.
A writer's work is the product of laziness.
I cannot write in verse, for I am no poet. I cannot arrange the parts of speech with such art as to produce effects of light and shade, for I am no painter. Even by signs and gestures I cannot express my thoughts and feelings, for I am no dancer. But I can do so by means of sounds, for I am a musician.
Whenever we have seen a crevice in the crust of convention, we have called attention to it, because we have hoped for a force underneath, which will someday come to light.
The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
I cannot pursue my architecture without considering the minimization of energy consumption, simple and direct technologies, a respect for site, climate, place and culture. Together, these disciplines represent for me a fantastic platform for experimentation and expression. Of particular importance is the junction of the rational and the poetic resulting hopefully in works that resonate and belong to where they reside.
A creative mess is better than idle tidiness.
Subscribe for the occasional hand-picked quote. No noise.