Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
Constantin StanislavskiRead
A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
Interpretation
True artists must maintain a constant awareness of their craft and environment.
This quote emphasizes the importance of an artist's connection to their work and surroundings. Just as a priest is deeply aware of the altar during a service, an artist must maintain a similar awareness of the stage and the essence of their performance, suggesting that true artistry comes from a profound engagement with the moment and the space they occupy. Without this intrinsic connection, one cannot truly fulfill the role of an artist.
In practice
In a speech about dedication to one's craft.
Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.
The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite.
When an actor is completely absorbed by some profoundly moving objective so that he throws his whole being passionately into its execution, he reaches a state we call inspiration.
Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.
The person you are is a thousand times more interesting than the best actor you could ever hope to be.
Escape? There is one unwatched way: your eyes. O Beauty! Keep me good that secret gate.
By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action.
Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it.
Some people become cops because they want to make the world a better place. Some people become vandals because they want to make the world a better looking place.
I'm not afraid of a big studio film; I trust my instincts. But for me, it's not really about box office. It's about looking back on your work and not having to apologize for it.
People don't remember me for how high my legs went, even though they went up very high, and how many pirouettes I did. They don't remember me for that. They remember me and any other dancer because something touched them inside. It's an indelible memory on the heart and in the mind.
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