Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
Constantin StanislavskiRead
A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
Interpretation
True artists must maintain a constant awareness of their craft and environment.
This quote emphasizes the importance of an artist's connection to their work and surroundings. Just as a priest is deeply aware of the altar during a service, an artist must maintain a similar awareness of the stage and the essence of their performance, suggesting that true artistry comes from a profound engagement with the moment and the space they occupy. Without this intrinsic connection, one cannot truly fulfill the role of an artist.
In practice
In a speech about dedication to one's craft.
Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.
The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite.
When an actor is completely absorbed by some profoundly moving objective so that he throws his whole being passionately into its execution, he reaches a state we call inspiration.
Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.
The person you are is a thousand times more interesting than the best actor you could ever hope to be.
We don't experience our lives as plots. If I asked you to tell me what your last week was like, you're not really gonna give me plot. You're gonna give me sort of linked narrative. And I wanted to see how do we bring that into fiction without losing the reader.
You must in all Airs follow the strength, spirit, and disposition of the horse, and do nothing against nature; for art is but to set nature in order, and nothing else.
I feel that if I can show my demise artistically to the public, I can somehow cure my own legend.
A spider lives inside my head Who weaves a strange and wondrous web Of silken threads and silver strings To catch all sorts of flying things, Like crumbs of thoughts and bits of smiles And specks of dried-up tears, And dust of dreams that catch and cling For years and years and years...
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
No matter how big the audience is going to be. I'm interested in doing things that are fun.
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