Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
Constantin StanislavskiRead
A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
Interpretation
True artists must maintain a constant awareness of their craft and environment.
This quote emphasizes the importance of an artist's connection to their work and surroundings. Just as a priest is deeply aware of the altar during a service, an artist must maintain a similar awareness of the stage and the essence of their performance, suggesting that true artistry comes from a profound engagement with the moment and the space they occupy. Without this intrinsic connection, one cannot truly fulfill the role of an artist.
In practice
In a speech about dedication to one's craft.
Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.
The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite.
When an actor is completely absorbed by some profoundly moving objective so that he throws his whole being passionately into its execution, he reaches a state we call inspiration.
Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.
The person you are is a thousand times more interesting than the best actor you could ever hope to be.
To the Suprematist the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling, as such, quite apart from the environment in which it is called forth.
The very idea of a bird is a symbol and a suggestion to the poet. A bird seems to be at the top of the scale, so vehement and intense is his life, large-brained, large-lunged, hot, ecstatic, his frame charged with buoyancy and his heart with song.
The process of writing a novel is like taking a journey by boat. You have to continually set yourself on course. If you get distracted or allow yourself to drift, you will never make it to the destination. It's not like highly defined train tracks or a highway; this is a path that you are creating discovering. The journey is your narrative. Keep to it and there will be a tale told.
I wanted to emulate music from America - young punks playing rock n' roll is what it was. I read part of Keith Richards' autobiography, and it was totally parallel with me, learning from American records.
The artist need not know very much, best of all let him work instinctively and paint as naturally as he breathes or walks.
Drawing is the probity of art. To draw does not mean simply to reproduce contours; drawing does not consist merely of line: drawing is also expression, the inner form, the plane, the modeling. See what remains after that.
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