Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
Constantin StanislavskiRead
The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite.
Interpretation
An actor's imagination is crucial for fully embodying their character.
This quote by Constantin Stanislavski emphasizes the importance of imagination in acting. It suggests that to create a convincing performance, an actor must envision the circumstances surrounding their character and respond authentically to various contextual questions, allowing for a more believable and nuanced portrayal on stage or screen.
In practice
In a drama class, a teacher might quote this to inspire students to use their creativity.
Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.
When an actor is completely absorbed by some profoundly moving objective so that he throws his whole being passionately into its execution, he reaches a state we call inspiration.
Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.
The person you are is a thousand times more interesting than the best actor you could ever hope to be.
It is godlike ever to think on something beautiful and on something new.
Technique does not constitute art. Nor is it a vague, fuzzy romantic quality known as ‘beauty,’ remote from the realities of everyday life. It is the depth and intensity of an artist’s experience that are the first importance in art.
Poems are like dreams: in them you put what you don't know you know.
I try to use whatever I know about photography to be of service to the people I'm photographing.
In film, it's very important to not allow yourself to get sentimental, which, being British, I try to avoid. People sometimes regard sentimentality as emotion. It is not. Sentimentality is unearned emotion.
To keep beauty in its place is to make all things beautiful.
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