It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
Lynsey AddarioRead
You have two options when you approach a hostile checkpoint in a war zone, and each is a gamble. The first is to stop and identify yourself as a journalist and hope that you are respected as a neutral observer. The second is to blow past the checkpoint and hope the soldiers guarding it don't open fire on you.
Interpretation
What this quote means
The quote illustrates the difficult choices faced by journalists in perilous situations, emphasizing the risks involved in seeking truth.
Lynsey Addario's quote conveys the high-stakes decisions that journalists must make in war zones. It highlights the duality of their role as neutral observers and the inherent risk of being misunderstood or targeted, forcing them to gamble between seeking safety through identification and the potential for danger by bypassing the checkpoint. This reflects the courage required to report from the front lines where every choice can lead to vastly different outcomes.
Themes
JournalismDangerWarChoiceRisk
In practice
Example use cases
During a speech about the challenges of reporting from conflict zones, one might reference this quote to illustrate the inherent risks of journalism.
More from Lynsey Addario
All quotes →I do think my childhood is one of the fundamental reasons that I'm able to do my job. We were raised in this totally nonjudgmental family. We never knew who was going to walk in the front door. And as a journalist and a photographer, you walk into so many different scenes that you have to be open to everything.
Lynsey AddarioRead
As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful.
Lynsey AddarioRead
My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel.
Lynsey AddarioRead
Don't expect things to happen fast. Be empathetic with the people you are photographing. Don't be concerned about money.
Lynsey AddarioRead
If people really saw what was happening in Iraq and Afghanistan, then they might be marching in the streets to end wars. But you know, I think that no one ever sees because we're not allowed to see, and we're not allowed to publish what we do see. So it's quite difficult.
Lynsey AddarioRead
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