The books transported her into new worlds and introduced her to amazing people who lived exciting lives.
Roald DahlRead
I find that the only way to make my characters really interesting to children is to exaggerate all their good or bad qualities, and so if a person is nasty or bad or cruel, you make them very nasty, very bad, very cruel. If they are ugly, you make them extremely ugly. That, I think, is fun and makes an impact.
Interpretation
Exaggerating character traits makes them more engaging and impactful in storytelling.
In this quote, Roald Dahl expresses the idea that to capture the attention of children, characters in stories should have their positive or negative traits greatly amplified. This exaggeration not only makes the characters more memorable but also creates a stronger emotional response from the audience, allowing for a more impactful storytelling experience.
In practice
A writer could use this quote when discussing the importance of character development in children's literature.
The books transported her into new worlds and introduced her to amazing people who lived exciting lives.
Matilda said, "Never do anything by halves if you want to get away with it. Be outrageous. Go the whole hog. Make sure everything you do is so completely crazy it's unbelievable.
I asked my mum, who's a very clever psychotherapist, and she says that kids love stories about death; they need it, they need to have stories that deal with death and explain it, as a place to put their fears.
By the time I am nearing the end of a story, the first part will have been reread and altered and corrected at least one hundred and fifty times. I am suspicious of both facility and speed. Good writing is essentially rewriting. I am positive of this.
You seemed so far away," Miss Honey whispered, awestruck. "Oh, I was. I was flying past the stars on silver wings," Matilda said. "It was wonderful.
If you have good thoughts they will shine out of your face like sunbeams and you will always look lovely.
I don't think the goal is, 'How big a star did you ever become?' I think the goal is, 'Were you able to express yourself?' And if you're able to say yes, in any field, you've won. If you paint, write, do mosaics, knit - if it's solving that part of your brain saying, 'I need to do this,' you've won.
The genius of poetry must work out its own salvation in a man; it cannot be matured by law and precept, but by sensation and watchfulness in itself. That which is creative must create itself.
Beauty is a form of Genius--is higher, indeed, than Genius, as it needs no explanation. It is one of the great facts of the world, like sunlight, or springtime, or the reflection in the dark waters of that silver shell we call the moon. It cannot be questioned. It has divine right of sovereignty. It makes princes of those who have it.
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
You do something on television, and so many people see it that it follows you around. It's interesting. I've done a couple of things on TV, and probably more people saw me than in all the movies I've made.
Even though fixed in time, a photograph evokes as much feeling as that which comes from music or dance. Whatever the mode - from the snapshot to the decisive moment to multi-media montage - the intent and purpose of photography is to render in visual terms feelings and experiences that often elude the ability of words to describe. In any case, the eyes have it, and the imagination will always soar farther than was expected.
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