But how awful would that be? How terrible to live surrounded by the stark, sharp, hollowness of things that simply were enough?
Patrick RothfussRead
I write what I don't know. It's way more interesting.
Interpretation
What this quote means
Writing about unknown subjects can lead to more engaging and creative work.
Patrick Rothfuss suggests that exploring topics we are unfamiliar with can enhance our writing and storytelling. By delving into the unknown, we not only learn and grow but also captivate our audience with fresh and intriguing narratives.
Themes
WritingCreativityExplorationLearningImagination
In practice
Example use cases
A writer's workshop discussing the benefits of writing about unfamiliar topics.
More from Patrick Rothfuss
All quotes βI wanted to tell her that she was the first beautiful thing I had seen in three years. That the sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.
Patrick RothfussRead
Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating ... but there are other ways to understanding.
Patrick RothfussRead
Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts. There are seven words that will make a person love you. There are ten words that will break a strong man's will. But a word is nothing but a painting of a fire. A name is the fire itself.
Patrick RothfussRead
How odd to watch a mortal kindle / Then to dwindle day by day / Knowing their bright souls are tinder / And the wind will have its way
Patrick RothfussRead
All the truth in the world is held in stories.
Patrick RothfussRead
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With cold eyes and indifferent mind the spectators regard the work. Connoissers admire the "skill" (as one admires a tightrope walker), enjoy the "quality of painting" (as one enjoys a pasty). But hungry souls go hungry away. The vulgar herd stroll through the rooms and pronounce the pictures "nice" or "splendid." Those who could speak have said nothing, those who could hear have heard nothing.
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I have not seen a film as powerful, surreal, and frightening in at least a decade unprecedented in the history of cinema.
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