Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
Well, all the plays that I was trying to write were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.
Interpretation
What this quote means
Arthur Miller emphasizes the importance of engaging an audience emotionally through powerful storytelling rather than merely presenting feelings for observation.
In this quote, Arthur Miller expresses his artistic intention to create plays that captivate the audience deeply, demanding their full attention and emotional involvement. He believes that effective theater should create a visceral experience, making the audience feel as if they are part of the story, rather than simply observing it from a distance. This approach encourages a connection that resonates beyond the theater, leaving a lasting impact on the viewers.
Themes
In practice
Example use cases
This quote could be used in a theater workshop to inspire writers to create immersive experiences.
More from Arthur Miller
All quotes →The word "now" is like a bomb through the window, and it ticks.
Amos Oz is one of the finest novelists of this entire period. MY MICHAEL is a beautiful work of great depth and in some indescribable way lingers in the mind as a lyric song to his country's people as much as a moving love story.
Just remember, kid, you can quicker get back a million dollars that was stole than a word that you gave away.
Oh,Elizabeth, your justice would freeze beer.
The structure of a play is always the story of how the birds came home to roost.
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Poetic simile was strictly limited to statements like 'his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,' and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.
Doubtless criticism was originally benignant, pointing out the beauties of a work rather that its defects. The passions of men have made it malignant, as a bad heart of Procreates turned the bed, the symbol of repose, into an instrument of torture.
Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
I wasn't a fashion editor. I was the one and only fashion editor.
What's the point of rap if you can't be yourself, huh?