I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me.
Jonathan LethemRead
What's lucky about my career in general is that I stumbled into what every writer most wants. Not repeating myself and doing strange things has become my trademark.
Interpretation
The author expresses gratitude for having a unique career that allows him to avoid repetition in his writing.
In this quote, Jonathan Lethem reflects on the fortunate aspect of his writing career, highlighting that he has managed to maintain originality and avoid redundancy in his work. He views this ability to continually explore new ideas and styles as his defining characteristic, which brings a sense of achievement and joy to his creative process.
In practice
In a writing workshop where participants share their unique styles and methods.
I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me.
Insomnia is a variant of Tourette's--the waking brain races, sampling the world after the world has turned away, touching it everywhere, refusing to settle, to join the collective nod. The insomniac brain is a sort of conspiracy theorist as well, believing too much in its own paranoiac importance--as though if it were to blink, then doze, the world might be overrun by some encroaching calamity, which its obsessive musings are somehow fending off.
Apparently Brooklyn needn't always push itself to be something else, something conscious and anxious, something pointed toward Manhattan.... Brooklyn might sometimes also be pleased, as here on Flatbush, to be its grubby, enduring self.
I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.
It was only as I wrote about it that I began to find paths of access to feelings that were intolerable to me then.
I keep one simple rule that I only move in one direction - I write the book straight through from beginning to end. By following time's arrow, I keep myself sane.
But even her demons she invested with inordinate beauty, consecrated them with the dignity of her attention.
If I go into a studio and find my truth of the moment, there are a number of people in the world who can relate to what I'm saying and are going to buy into what I'm doing. Not because it's the new thing of the moment, but because it's genuine emotion. Its how I feel. This is how I articulate the world.
In Irenaβs head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.
It's a very nice kind of quasi-fame being a writer, because you remain largely anonymous and you can have a private life, which I really cherish. I don't like to be in the public light all that much. I don't crave the whole fame thing at all.
It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.
Some people focus more on sonics. Some people focus more on story. I focus on both sonics and story, but music sometimes, just music itself, can turn into more of a maths problem. I guess everything in life is a math problem, but it can be more about an empirical route to getting the symmetry that you want, and this vibe, sonically.
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