I have need of angels. Enough hell has swallowed me for too many years. But finally understand this--I have burned up one hundred thousand human lives already, from the strength of my pain.
Antonin ArtaudRead
Not once more will/I be found with beings/who swallowed the rail of life//And one day I found myself with beings/who swallowed the nail of life/-as soon as I lost my matrix mamma,//and the being twisted under him,/and god poured me back to her/(the motherfucker).
Interpretation
The quote reflects a desire to escape the mediocrity of existence and return to the nurturing aspects of life.
In this quote, Artaud expresses a profound dissatisfaction with the state of human existence, particularly how some individuals consume life without truly experiencing it. He contrasts the idea of being 'swallowed by the rail of life' with a yearning to return to a more authentic and nurturing existence ('matrix mamma'), highlighting the tension between a harsh reality and the need for deeper connection and understanding.
In practice
In a philosophical discussion about the meaning of life, this quote could serve to illustrate the struggle for authenticity.
I have need of angels. Enough hell has swallowed me for too many years. But finally understand this--I have burned up one hundred thousand human lives already, from the strength of my pain.
Cruelty in the theatre is unrelenting decisiveness, diligence, strictness.
I myself spent nine years in an insane asylum and I never had the obsession of suicide, but I know that each conversation with a psychiatrist, every morning at the time of his visit, made me want to hang myself, realizing that I would not be able to cut his throat.
If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable oppression of a kind of civic magic which will soon be seen appearing openly in social behavior.
A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt . . .
Familiarity confounds all traits of distinction; interest and prejudice take away the power of judging.
Necessity is blind until it becomes conscious. Freedom is the consciousness of necessity.
The optimist thinks this is the best of all possible worlds. The pessimist fears it is true.
I know too well that these arguments from probabilities are imposters, and unless great caution is observed in the use of them, they are apt to be deceptive.
If you carry someone else's fears and live by someone else's values, you may find that you have lived their lives.
There's no point of having faith if you have evidence.
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