I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
Tadao AndoRead
Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
Interpretation
The essence of Modernist architecture is a balance between logical design and the emotional spirit of the space.
Tadao Ando emphasizes that Modernist architecture is not merely about logical principles; it also requires a deep emotional connection or spirit. Without this spirit, the true essence and experience of Modernist architecture cannot be realized, so Ando seeks to harmonize the logical and emotional aspects through his architectural designs.
In practice
In a presentation about architectural design philosophy, I might say, 'As Tadao Ando suggests, without the spirit, Modernist architecture cannot fully exist.'
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying.
I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
All architecture has a public nature, I believe, so I would like to make a public space.
I like ruins because what remains is not the total design, but the clarity of thought, the naked structure, the spirit of the thing.
In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
I increasingly fear that nothing good can come of almost any adaptation, and obviously that's sweeping. There are a couple of adaptations that are perhaps as good or better than the original work. But the vast majority of them are pointless.
Stories of all lengths and depths come from different parts of the cave. For a novel, you must lay in mental, physical and spiritual provision as for a siege or for a time of hectic explosions, while a short story is, or can be, a steady, timed flame like the lighting of a blow lamp on a building site full of dry tinder.
The language that photography has is a formal language. Any photographer is doing something formal. If it's formal, then it must be an aesthetic way to communicate.
The truest writers are those who see language not as a linguistic process but as a living element.
I am the eggman They are the eggmen! I am the walrus!
Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
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