Do good by stealth, and blush to find it fame.
Alexander PopeRead
What woeful stuff this madrigal would be, In some starved hackney sonneteer, or me! But let a lord once own the happy lines, How the wit brightens! how the style refines!
Interpretation
The quote reflects on how the value of poetry is heightened by its association with status and privilege.
In this quote, Alexander Pope critiques the perception of poetry and its worth depending on the reputation of the author rather than the quality of the work itself. He suggests that a piece of writing, regardless of its artistic merit, gains significance and appeal when it is affiliated with someone of high social standing, illustrating the disparity between genuine artistry and social elitism in the realm of literature.
In practice
In a speech about the value of art, one could use this quote to highlight the influence of social status on artistic perception.
Do good by stealth, and blush to find it fame.
What dire offence from am'rous causes springs, What mighty contests rise from trivial things.
Fair tresses man's imperial race ensnare; And beauty draws us with a single hair.
An honest man's the noblest work of God.
One thought of thee puts all the pomp to flight;_x000D_ _x000D_ Priests, tapers, temples, swim before my sight.
Who breaks a butterfly on a wheel?
When we come to understand architecture as the essential nature of all harmonious structure we will see that it is the architecture of music that inspired Bach and Beethoven, the architecture of painting that is inspiring Picasso as it inspired Velasquez, that it is the architecture of life itself that is the inspiration of the great poets and philosophers.
People wish to be poets more than they wish to write poetry, and that's a mistake. One should wish to celebrate more than one wishes to be celebrated.
I really am a theater person. That means you put something out there, and you let it go. Tomorrow night is a new performance.
[People] want me to finish things. But I see them in such a way and paint them accordingly. ... Nothing is simpler than to complete pictures in a superficial sense. Never does one lie so cleverly as then.
When I read a story, I relive the moment from which it sprang. A scene burned itself into me, a building magnetized me, a mood orseason of Nature's penetrated me, history suddenly appeared to me in some tiny act, or a face had begun to haunt me before I glanced at it.
I started earning a living as a poet rather early on.
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