Women do not have as great a need for poetry because their own essence is poetry.
Interpretation
Women embody poetic qualities inherent in their essence, reducing their need for external poetry.
This quote suggests that the intrinsic qualities of women—such as emotion, creativity, and beauty—are akin to poetry itself. As a result, they may not feel as strong a necessity for poetry as men do, because their very being encapsulates the depth and artistry often sought in poetic expression.
In practice
In a speech celebrating women's contributions to art and literature, you might quote this to highlight their innate creativity.
Prudishness is pretense of innocence without innocence. Women have to remain prudish as long as men are sentimental, dense, and evil enough to demand of them eternal innocence and lack of education. For innocence is the only thing which can ennoble lack of education.
A classical work doesn't ever have to be understood entirely. But those who are educated and who are still educating themselves must desire to learn more and more from it.
If you want to see mankind fully, look at a family. Within the family minds become organically one, and for this reason the family is total poetry.
He who does not become familiar with nature through love will never know her.
Religion can emerge in all forms of feeling: here wild anger, there the sweetest pain; here consuming hatred, there the childlike smile of serene humility.
A priest is he who lives solely in the realm of the invisible, for whom all that is visible has only the truth of an allegory.
It is only after years of preparation that the young artist should touch color - not color used descriptively, that is, but as a means of personal expression.
There must be so many people who have various artistic talents that, for whatever reason, just have no way of expressing them. Either they have no support from their family or they live in a part of the world, maybe they've never heard a piano or seen a piano.
The painter constructs, the photographer discloses.
I am imbued with the notion that a Muse is necessarily a dead woman, inaccessible or absent; that a poetic structure - like the canon, which is only a hole surrounded by steel - can be based only on what one does not have; and that ultimately one can write only to fill a void or at the least to situate, in relation to the most lucid part of ourselves, the place where this incommensurable abyss yawns within us.
And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
The type of mind that can understand good fiction is not necessarily the educated mind, but it is at all times the kind of mind that is willing to have its sense of mystery deepened by contact with reality, and its sense of reality deepened by contact with mystery.
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