Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
Rem KoolhaasRead
The word 'celebrity' and the word 'architect' are basically incompatible.
Interpretation
The terms 'celebrity' and 'architect' represent two fundamentally different roles that do not align well with each other.
Rem Koolhaas suggests that architects, who are creators and thinkers focused on functionality and design, do not fit comfortably within the realm of celebrity, which often values superficiality and fame over substance. This dichotomy highlights the tension between artistic integrity and public persona, indicating that true creative work may be at odds with the culture of celebrity.
In practice
This quote can be used in a discussion about the role of architects in modern society.
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
What is now called 'green architecture' is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that architecture has been engaged with for many years. It was one of the first professions that was deeply concerned with these issues and that had an intellectual response to them.
The acceptance of certain realities doesn't preclude idealism. It can lead to certain breakthroughs.
Architecture is a dangerous mix of power and importance.
Japan lives with drastic segregation between the sublime, the ugly, and the utterly without qualities. Dominance of the last 2 categories makes mere presence of the first stunning: when beauty 'happens', it is absolutely surprising.
We live in an almost perfect stillness and work with incredible urgency.
Design is not just what it looks like and feels like. Design is how it works.
From things that have happened and from things as they exist and from all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive, and you make it alive, and if you make it well enough, you give it immortality.
I never intended for the Monster Ball to be a religious experience, it just became one.
'The Satanic Verses' was denied the ordinary life of a novel. It became something smaller and uglier: an insult.
Imagination, not invention, is the supreme master of art as of life.
The only way to avoid being unhappy is to close yourself up in Art and to count for nothing all the rest.
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