When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Robert SmithsonRead
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Interpretation
Art loses its emotional impact when removed from its original context in a gallery setting.
In this quote, Robert Smithson suggests that the intrinsic value and emotional energy of a work of art can diminish when it is displayed in a gallery. He argues that an artwork should be seen in relation to its environment and the experiences it evokes, rather than merely as an object to be viewed separately from the world around it.
In practice
In a discussion about the meaning of modern art, one might use this quote to illustrate how context influences perception.
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
The deal is such that when I begin writing something, I open a door, and those characters come in, and then they won't leave, and so I live with them every day, all day. They are there with me when I'm driving my kids to school, when I'm standing in line at the grocery store.
I do not repudiate any of my paintings but there isn't one of them that I would not redo differently, if I had it to redo. My destination is always the same but I work out a different route to get there.
Simple ingredients, treated with respect... put them together and you will always have a great dish.
We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write.
For the understanding of a picture a chair is needed. Why a chair? To prevent the legs, as they tire, from interfering with the mind
Art is either plagiarism or revolution.
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