A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert SmithsonRead
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Interpretation
The juxtaposition of modern art in historical contexts alters its perception and cultural significance.
This quote highlights the relationship between art and its environment, suggesting that when contemporary sculptures are situated in historical settings, they are influenced by the existing cultural and political ideals of the past. This interplay not only transforms the way the modern work is perceived but also calls attention to the values and aesthetics of the era it inhabits, ultimately reflecting changes in societal norms and beliefs over time.
In practice
During an art exhibition, one might use this quote to discuss the impact of historical context on modern art.
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
Literary studies were no more than a series of autopsies performed by heartless technicians. Worse than autopsies: biopsies. Vivisection. Even movies, which I love more than anything, more than life itself, they even do it with movies these days.
There's a half-conscious state you enter when you're actually generating prose, and you are simply a better writer in that place. In fact it's the only place where you even are a writer.
It is my dream to create an art which is filled with balance, purity and calmness, freed from a subject matter that is disconcerting or too attention-seeking. In my paintings, I wish to create a spiritual remedy, similar to a comfortable armchair which provides rest from physical expectation for the spiritually working, the businessman as well as the artist.
If I were a first rate writer, I wouldn't mind a bit. What does depress me is this: it is so desperately hard and so obsessive and so lonely to write that, in return for all this work, one would like a little self satisfaction. And that is never going to come, for the simple reason that I do not deserve it. I cannot be a good enough writer. You see? I call it grim. But the future looks awfully clear to me.
Bikes and planes aren’t about going fast or having fun; they’re toys, but serious ones.
I think that Bob Dylan knows this more than all of us: you don't write the songs anyhow. So if you're lucky, you can keep the vehicle healthy and responsive over the years. If you're lucky, your own intentions have very little to do with this.
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