A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert SmithsonRead
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
Interpretation
This quote reflects on the negative impact of urban expansion on the environment and societal structures.
Robert Smithson's quote critiques the uncontrolled growth of urban developments that emerged after the war, suggesting that such expansion leads to disorder and deterioration, which he calls the 'architecture of entropy.' By emphasizing the chaotic nature of human development and the resulting effects on the landscape, Smithson encourages a deeper reflection on how modern living spaces may contribute to cultural and environmental degradation.
In practice
During a talk on urban planning, one might quote this to highlight the consequences of unchecked development.
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
Man is insatiable for power; he is infantile in his desires and, always discontented with what he has, loves only what he has not. People complain of the despotism of princes; they ought to complain of the despotism of man.
The world is a divine dream, from which we may presently awake to the glories and certainties of day.
The life of faith is not a life of mounting up with wings, but a life of walking and not fainting.
People call you this or that. But I can't respond because then it seems like I'm defensive, you know, what does it matter, really?
The toughness I was learning was not a martyred doggedness, a dumb heroism, but the art of accommodation. I thought: to be tough is to be fragile; to be tender is to be truly fierce.
Evil thenceforth became my good.
Subscribe for the occasional hand-picked quote. No noise.