That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
Charles BaudelaireRead
It would be difficult for me not to conclude that the most perfect type of masculine beauty is Satan, as portrayed by Milton.
Interpretation
Baudelaire suggests that Satan, as depicted by Milton, embodies an ideal form of masculine beauty.
In this quote, Charles Baudelaire expresses his admiration for the character of Satan as presented in John Milton's work, 'Paradise Lost.' He views Satan not merely as a figure of evil but as the epitome of masculinity and beauty, highlighting how literature can shape our perceptions of aesthetic ideals and complex characters.
In practice
A discussion on the representation of evil in literature can cite this quote to highlight contrasting views of beauty.
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
There is no sweeter pleasure than to surprise a man by giving him more than he hopes for.
The priest is an immense being because he makes the crowd believe astonishing things.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
Photography is an investigation of both the outer and the inner worlds. The first experiences with the camera involve looking at the world beyond the lens, trusting the instrument will 'capture' something 'seen.' The terms shoot and take are not accidental; they represent an attitude of conquest and appropriation. Only when the photographer grows into perception and creative impulse does the term make define a condition of empathy between the external and the internal events.
We're all born storytellers. It's part of the species. But, more specifically, I suppose a particular combination of sensitivity and trauma made me a writer: an essential disquiet with reality, which required exploration through portrayal.
I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing and I cannot acquire the new. I have made an intense effort to feel the musical manner of today, but it will not come to me.
A parallel between color and music can only be relative β just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
I don't really remember a time younger than 5 years old that I didn't have skates on because all I can remember is every day, tying up my skates and a big smile on my face, excited to go on the ice.
I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me.
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