Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later.
Diana VreelandRead
Where would fashion be without literature?
Interpretation
Fashion is deeply influenced by literature, suggesting that the two realms are interconnected.
Diana Vreeland's quote highlights the profound relationship between fashion and literature, emphasizing that fashion does not exist in a vacuum. Literature provides context, inspiration, and narratives that shape fashion trends, styles, and ideals, making it impossible to fully appreciate fashion without acknowledging its literary roots.
In practice
During a fashion show, one might quote Vreeland to emphasize the relevance of storytelling in fashion design.
Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later.
Don't look back. Just go ahead. Give ideas away. Under every idea there's a new idea waiting to be born.
I wasn't a fashion editor. I was the one and only fashion editor.
Allure is a word very few people use nowadays, but it's something that exists. Allure holds you, doesn't it? Whether it's a gaze or a glance in the street or a face in the crowd or someone sitting opposite you at lunch... you are held
There’s only one thing in life, and that’s the continual renewal of inspiration.
You gotta have style to get up in the morning
When you're a writer, the question people always ask you is, "Where do you get your ideas?" Writers hate this question. It's like asking Humphrey Bogart in The African Queen, "Where do you get your leeches?" You don't get ideas. Ideas get you.
To wake the soul by tender strokes of art, To raise the genius, and to mend the heart
My sole recreations consist in dancing English hornpipes and cutting capers. Italy is a land of sleep; I am always drowsy here.
Art is a gift: you create and then you give away. How readers receive that gift is their business. If they hate it, that’s their response to it. Others respond by liking it. Either way, that is their interaction with the book, which is no longer mine.
They [photographs] teach you about your own unraveling past, or about the immediacy of yesterday. They show you what you look at. If you take a photograph, you've been responsive to something, and you looked hard at it. Hard for a thousandth of a second, hard for ten minutes. But hard, nonetheless. And it's the quality of that bite that teaches you how connected you were to that thing, and where you stood in relation to it, then and now.
When I write, what I long for is not more realism or fiction but more courage. That's what I always find myself short on and what I have to struggle to achieve in order that the work might live.
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