I would solve a lot of literary problems just thinking about a character in the subway, where you can't do anything anyway.
Interpretation
Thinking creatively in limitations can lead to solving complex problems.
Toni Morrison suggests that the constraints of certain environments, like being in a subway where one is unable to act, can actually inspire deep thought and lead to solutions for creative challenges. This reflection on a confined space illustrates how limitations can push individuals to think outside the box and arrive at insights they might not otherwise reach.
In practice
This quote could be used in a writing workshop to encourage participants to embrace their creative constraints.
There is a certain kind of peace that is not merely the absence of war. It is larger than that. The peace I am thinking of is not at the mercy of history's rule, nor is it a passive surrender to the status quo. The peace I am thinking of is the dance of an open mind when it engages another equally open one -- an activity that occurs most naturally, most often in the reading/writing world we live in. Accessible as it is, this particular kind of peace warrants vigilance.
You looking good." "Devil's confusion. He lets me look good long as I feel bad.
What do you say? There really are no words for that. There really aren't. Somebody tries to say, 'I'm sorry, I'm so sorry.' People say that to me. There's no language for it. Sorry doesn't do it. I think you should just hug people and mop their floor or something.
An innocent man is a sin before God. Inhuman and therefore untrustworthy. No man should live without absorbing the sins of his kind, the foul air of his innocence, even if it did wilt rows of angel trumpets and cause them to fall from their vines.
Like friendship, hatred needed more than physical intimacy; it wanted creativity and hard work to sustain itself
One of my kids was born in 1968. There were going to be political difficulties, but they were never going to have that level of hatred and contempt that my brothers and my sister and myself were exposed to.
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
I emphasize the distinction between brackets and no brackets because it will affect your reading experience, if you will allow it. Brackets are exciting. Even though you are approaching Sappho in translation, that is no reason you should miss the drama of trying to read a papyrus torn in half or riddled with holes or smaller than a postage stamp--brackets imply a free space of imaginal adventure.
All modern American literature comes from one book by Mark Twain called Huckleberry Finn.
We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.
Because of writers like Chinua Achebe and Camara Laye β¦ I realized that people like me, girls with skin the color of chocolate, whose kinky hair could not form ponytails, could also exist in literature.
The king died and then the queen died is a story. The king died, and then queen died of grief is a plot.
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