American society [...] not only sanctions gross and unfair relations among men, but it encourages them. Now, can that be denied? No. Rivalry, competition, envy, jealousy, all that is malignant in human character is nourished by the system. Possession, money, property--on such corrupt standards as these do you people measure happiness and success.
I don't know any writer for whom it comes easily. Maybe John Updike - a story would just seem to come to him whole, you know, out of a personal experience. But the rest of us, I think, are not so lucky, and I had to work hard, yeah.
Interpretation
What this quote means
Writing is often a difficult and laborious process, not something that comes easily to everyone.
In this quote, Philip Roth reflects on the nature of writing and the fact that, contrary to the perception that some writers may have an effortless connection to their craft, many writers face significant challenges and must exert considerable effort to produce their work. He acknowledges that while some, like John Updike, may have an innate talent for storytelling, the majority of writers struggle and must work hard to overcome obstacles in their creative process.
Themes
In practice
Example use cases
In a speech about the challenges of creative work, one might say, 'As Philip Roth pointed out, writing is not easy for everyone; it requires hard work and perseverance.'
More from Philip Roth
All quotes →I have a slogan I use when I get anxious writing, which happens quite a bit: ‘the ordeal is part of the commitment.’ It’s one of my mantras. It makes a lot of things doable.
Everybody who flashed the signs of loyalty he took to be loyal. Everybody who flashed the signs of intelligence he took to be intelligent. And so he had failed to see into his daughter, failed to see into his wife, failed to see into his one and only mistress—probably had never even begun to see into himself
When you publish a book, it's the world's book. The world edits it.
It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning.
That's what you're looking for as a writer when you're working. You're looking for your own freedom. To lose your inhibition to delve deep into your memory and experiences and life and then to find the prose that will persuade the reader.
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The audience will find the artist who matches their interests. If you're not being true to yourself, your audience can't find you, because there's a wall up between who you are and who they're seeing.
The rules I sort of live by for my theater career, which I hope to live for my film career, is that if there's something that intrigues me or fascinates me, or I don't know how to do it, then I should do it.
When it is working, you completely go into another place, you're tapping into things that are totally universal, completely beyond your ego and your own self. That's what it's all about.
I'm fascinated by musicians who don't completely understand their territory; that's when you do your best work.