The possibility of being as free with the camera as we are with the pen is a fantastic prospect for the creative life of the 21st century.
Carlos FuentesRead
You, yesterday, did the usual things, just as any day, You don't know if it's worth remembering. You would prefer to remember, there lying in the half-darkness of the bedroom, not what has happened already but what is going to happen. In your half-darkness your eyes would prefer to look ahead, not behind, and they do not know how to foresee the past.
Interpretation
This quote reflects on the tendency of individuals to focus on the future rather than the past, highlighting the uncertainty of memories.
Carlos Fuentes suggests that people often engage in their daily routines without recognizing their significance. He emphasizes that in moments of contemplation, individuals are more inclined to consider future possibilities rather than reflecting on past experiences, which they may perceive as less important or less certain.
In practice
In a motivational speech about embracing change and looking forward to new opportunities.
The possibility of being as free with the camera as we are with the pen is a fantastic prospect for the creative life of the 21st century.
Writing is a struggle against silence.
Literature overtakes history, for literature gives you more than one life. It expands experience and opens new opportunities to readers.
One wants to tell a story, like Scheherezade, in order not to die. It's one of the oldest urges in mankind. It's a way of stalling death.
No, it's not that they're bad. It's that they're obliged to pretend they're good. They've been brought up to deceive and be cunning, to protect themselves from our society. I don't want to be like that.
You have an absolute freedom in Mexican writing today in which you don't necessarily have to deal with the Mexican identity. You know why? Because we have an identity... We know who we are. We know what it means to be a Mexican.
He who acts under an emotional impulse also acts. What distinguishes an emotional action from other actions is the valuation of input and output. Emotions disarrange valuations. Inflamed with passion, man sees the goal as more desirable and the price he has to pay for it as less burdensome than he would in cool deliberation.
And this is the forbidden truth, the unspeakable taboo - that evil is not always repellent but frequently attractive; that it has the power to make of us not simply victims, as nature and accident do, but active accomplices.
When we come to judge others it is not by ourselves as we really are that we judge them, but by an image that we have formed of ourselves from which we have left out everything that offends our vanity or would discredit us in the eyes of the world.
And for all the richest and most successful merchants life inevitably became rather dull and niggly, and they began to imagine that this was therefore the fault of the worlds they'd settled on.
Death is the destination we all share, no one has ever escaped it. And that is as it should be because death is very likely the single best invention of life.
The cooperative, loving side of existence goes hand in hand with coping and power, but neither the one nor the other can be neglected if life is to be gratifying.
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